This book provides a practical and easy-to-understand introduction to acoustic speech analysis, primarily aimed at those involved in linguistic analysis and description in the field and at those preparing for such fieldwork. It explains commonly used methods for displaying aspects of a speech wave, such as waveform graphs, spectra, spectrograms, fundamental frequency graphs (pitch graphs), and intensity graphs. It illustrates how the results of acoustic analysis can be interpreted and used to improve the objectivity, accuracy and precision of phonetic descriptions of speech sounds. The book assumes basic knowledge of articulatory phonetics. It can be used to teach introductory courses in acoustic phonetics at the undergraduate level.

This book provides a practical and easy-to-understand introduction to acoustic speech analysis, primarily aimed at those involved in linguistic analysis and description in the field and at those preparing for such fieldwork. It explains commonly used methods for displaying aspects of a speech wave, such as waveform graphs, spectra, spectrograms, fundamental frequency graphs (pitch graphs), and intensity graphs. It illustrates how the results of acoustic analysis can be interpreted and used to improve the objectivity, accuracy and precision of phonetic descriptions of speech sounds. The book assumes basic knowledge of articulatory phonetics. It can be used to teach introductory courses in acoustic phonetics at the undergraduate level.

This comprehensive collection equips readers with a state-of-the-art description of clinical phonetics and a practical guide on how to employ phonetic techniques in disordered speech analysis. Divided into four sections, the manual covers the foundations of phonetics, sociophonetic variation and its clinical application, clinical phonetic transcription, and instrumental approaches to the description of disordered speech. The book offers in-depth analysis of the instrumentation used in articulatory, auditory, perceptual, and acoustic phonetics and provides clear instruction on how to use the equipment for each technique as well as a critical discussion of how these techniques have been used in studies of speech disorders. With fascinating topics such as multilingual sources of phonetic variation, principles of phonetic transcription, speech recognition and synthesis, and statistical analysis of phonetic data, this is the essential companion for students and professionals of phonetics, phonology, language acquisition, clinical linguistics, and communication sciences and disorders.

This book offers a comprehensive resource on the state-of-the-art in L2 pronunciation, surveying the most up-to-date theoretical and methodological developments to highlight the multidimensional nature of pronunciation scholarship and directions for future research. The volume examines both speech perception and production, including the perception-production link. The book explores production from a range of perspectives, including acoustic analysis of specific features and listener-based ratings of global dimensions of pronunciation. Each chapter spotlights a different dimension of pronunciation through a consistent structure, including a summary of the latest research, a critical appraisal of methods, and an overview of data analysis procedures with recommendations for practical implementation. The innovative interconnected structure allows readers to build on their knowledge with each successive chapter while also allowing the flexibility to use chapters as standalone units depending on individual interests. A concluding chapter outlines a research agenda for future scholarship, spotlighting the methods and approaches that are most likely to advance the field. This book is an invaluable resource for graduate students and researchers, at all stages of their careers, looking to expand their knowledge base in SLA and L2 pronunciation and related fields such as phonetics and phonology.

Kenyan English: Domains of Use, Forms, and Users' Attitudesfocuses on the unique issues that concern language researchers in Kenya and elsewhere. Edited by Martha M. MichiekaandEvans Gesura Mecha, the collection examines the English language forms and usages to describe the reality of Kenyan English use. The contributors address questions such as: What are the characteristics that distinguish Kenyan English from other national varieties? How is English taught, and what impact does that kind of teaching have on learner proficiency? What is the place of English in mass media, in politics, in the churches, and in multilingual homes? The contributors, all experienced language practitioners based in Kenya or currently conducting language-related research in Kenya, bring fresh perspectives to the topic at hand and give readers a glance into contexts that have not yet been addressed in this way. They highlight the sociolinguistic reality of the English language in present-day Kenya and raise questions that will prompt further research.

Now fully updated with the latest research and references, the third edition of Applied English Phonology provides a detailed,accessible introduction to the English sound system. Discusses the fundamental concepts of English phonology, from phonetic elements, phonemics, and allophonic rules of English consonants and vowels to phonotactics, stress, and intonation Includes new coverage of waveform analysis, bilingual phonology, code-switching, and loan phonology Expands discussions of L1 contrastive phonological structures and markedness Supports students and instructors with sound files for transcription exercises and an instructor’s manual, available upon publication at www.wiley.com/go/yavas3e

This book explores the nature of tones in Zhangzhou, an under-described Southern Min variety, based on quantitative analyses of data from 21 native speakers. It will interest students and linguists studying tone in languages of China and elsewhere in the world, in particular as an exemplar in the use of statistical methods to test and establish phonological categories in language. The study finds that realisations of Zhangzhou tones are multidimensional and that Zhangzhou has eight tones, overturning previous studies of seven tones based on the preservation of Middle Chinese tonal categories. The results presented here also suggest that the nature of Zhangzhou tones is morphological. The relationship between sandhi and citation tones is shown to be morphophonemic, while the relationship between phrase-final and citation tones is allophonic.