A humorous and insightful guide to campus birds

This charming, full-color field guide to 25 birds easily found in Berkeley proves that even the city's avian residents are a little quirky. Meticulously detailed illustrations capture each bird's distinctive physicality and temperament. A Burrowing Owl faces you in a full-on head shot, perhaps having just raised its raspy, chattering alarm call as you trespass on its last remaining Bay Area foothold at the Marina. The Anna's Hummingbird gives you a coy backward glance to assess if you've properly admired its flashy throat feathers, maybe having just performed its signature J-shaped courtship dive. Even in composition, each bird is strikingly individual, whether depicted in mid-dive or creeping into frame. While descriptions of identification and vocalizations are straightforward, author-illustrator Oliver James takes a delightfully creative approach to his write-ups of each species. He invites you to imagine that a Cooper's Hawk, for example, is Steve McQueen in a '68 Mustang, and you, "a pigeon in a rental car with a poor turning radius," are fleeing through traffic: "It's all over in a matter of seconds." A joy to read and pore over, Birds of Berkeley will enchant readers far beyond the city limits with its findings gleaned from painstaking and patient wildlife observation.

The Mountains in Art History is the first English-language work to focus on mountains as subject matter and source of aesthetic and spiritual inspiration for painters. This collection of original essays is written entirely by Wesleyan University students of art history. The essays examine how artistic representation of mountains has varied through the lens of specific depictions in English and American literature, and consider how images of mountains functioned in conjunction with religion, the sublime, and Romanticism. These essays by student authors adeptly ruminate on works by individuals such as William Wordsworth, John Frederick Kensett, Alexander van Humboldt, Emil Nolde, and Arnold Fanck. Includes an introduction by professor Peter Mark and a helpful appendix of the course syllabus and narrative description.

The first comprehensive natural history guide to the Connecticut River and its environs, with more than 750 illustrations The Connecticut River, New England's longest and most historic river, originates in northern New Hampshire and wends more than four hundred miles to Long Island Sound. It forms the border between Vermont and New Hampshire and widens significantly as it makes its way through Massachusetts and Connecticut. The Connecticut River Valley is one of the most popular tourist destinations in the eastern United States, and more than two million people live in the watershed. Renowned naturalist Patrick J. Lynch offers readers an expansive guide to this majestic region with more than 750 original maps, photographs, and illustrations. Organized around environments rather than particular locations, the book includes geological overviews and descriptions of common plants and animals. Lynch also explains the landscape's environmental history as well as the effects of centuries of human interventions and the growing fallout from climate change. This indispensable guide not only brings the Connecticut River's ecology and pivotal role in American history to life but instills a deeper appreciation for the river's diverse and abundant beauty.

Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Preface -- Regional map -- Introduction -- Physical coast -- Weather and water -- Human history -- Shallows -- Depths -- Beaches and dunes -- Rocky shores -- Salt marshes -- Coastal forests -- Connecticut locations -- New York locations -- Bibliography -- Illustration Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- Y

Birds are all around us—building nests for their eggs, perching on a nearby tree branch, floating freely on a breath of wind. But do you ever feel like a bird might be trying to connect with you—or even tell you something? This book can help you figure out the special message your visitor is trying to share. Inside this lovely illustrated field guide you'll find everything you need to decipher the unique meaning behind each individual bird sighting. From physical description to folklore, each of the common bird species detailed within has a story and a unique symbolism which will help reveal the changes these mystical creatures want you to make in your life. With this enlightening volume as your inspiration, get ready to take a look at your life from a bird's eye view—one robin, crow, and hummingbird at a time!

From one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten. Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Here, too, is the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin. This is the first book to anatomize the major silent players, reconstruct their careers, and give us a sense of what those films, those stars, and that Hollywood were all about. An absolutely essential text for anyone seriously interested in movies, and, with more than three hundred photographs, as much a treat to look at as it is to read.