Rodgers and Hammerstein's beloved song from The Soundof Music has captured hearts for generations. Now acclaimed illustrator Renée Graef's heartwarming illustrations give it new meaning. Complete with its score, My Favorite Things is perfect for reading and sharing.

Twenty-nine-year-old Rayann Germaine, betrayed by her lover, flees in grief and rage. She meets book store owner Louisa Thatcher, a woman many years her senior, who offers shelter and work... and soon, passion, and a loving place in her life. But Rayann encounters challenges to this new love—from friends who question its wisdom, from her mother who disapproves of this liaison with a woman her own contemporary, from Louisa's son who learns for the first time his mother's true sexuality. And there are profound differences between Rayann and Louisa themselves, two women who come from dramatically different places in the spectrum of age and life experience. Their only common ground seems to be the searing attraction that they both try to deny...

From Maira Kalman, the author of the bestsellers The Principles of Uncertainty and The Elements of Style, comes this beautiful pictorial and narrative exploration of the significance of objects in our lives, drawn from her personal artifacts, recollections, and selections from the collection of the Cooper-Hewitt, Smithsonian Design Museum. With more than fifty original paintings and featuring bestselling author and illustrator Maira Kalman’s signature handwritten prose, My Favorite Things is a poignant and witty meditation on the importance of both quotidian and unusual objects in our culture and private worlds. Created in the same colorful, engaging, and insightful style as her previous works, which have won her fans around the world, My Favorite Things features more than fifty objects from both the Cooper-Hewitt, Smithsonian Design Museum and Kalman’s personal collections: the pocket watch Abraham Lincoln was carrying when he was shot, original editions of Winnie-the-Pooh and Alice in Wonderland, a handkerchief in memoriam of Queen Victoria, an Ingo Maurer lamp, Rietveld’s Z chair, a pair of Toscanini’s pants, and photographs Kalman has taken of people walking towards and away from her. A pictorial index provides photographs of the actual objects and a short description of them, enhancing the reading experience. As it speaks to the universal experience and importance of beloved objects in our lives—big and small, famous and private—this unique work is a fresh way of examining and understanding our society, history, culture, and ourselves.

From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.

Alberta likes what she likes.Big dogs:noSmall dogs:yesGrapefruits:noGummy candies:yesHer favorite color is orange. And her favorite vegetable is potato chip.She likes baths. And boats.But none of these is her favorite thing of all.What could it be, then, her favorite thing?

For Patricia Curren, the summer of 1978 begins with a devastating discovery: an unfamiliar black pearl button in the bed she shares with her controlling husband, Jack. Seeking the courage to end her desolate marriage, Patricia spends a quiet summer alone on beautiful Kiawah Island. But when she meets Terry Sloan, a collegiate tennis player trying to go pro, their physical attraction sparks a slow burn toward obsession. Once Patricia and Terry share closely guarded secrets from their pasts, they want more than a summer together. But their love soon fractures, as a potential sponsor takes an unusually keen interest in Terry--both on court and off. And when single, career-driven Lynn Hewitt arrives, other secrets must surface, including the one Patricia has kept from Terry all summer. An intimate portrait of the folly of the human heart, Breaking and Holding explores buried truths that are startlingly unveiled. What's left in their wake has the power not only to shatter lives...but to redeem them.

Includes a compact disc containing music from Hilary Weeks.