A Favourite of the Gods is the story of two generations of a single family, united by a strong matrilineal bond but divided by the customs of their differing nationalities. Anna Howland, the matriarch and American heiress, born in the 1870s to a prominent, liberal New England family marries an Italian prince and makes her home in Rome; her daughter Constanza, the favorite of the title, inherits her mother’s beauty, intelligence, and wealth, along with her father’s Catholicism, which she soon rejects. When disaster strikes, Anna and the prince fall back on the standards of behavior of their disparate cultures; Constanza, with her European upbringing, is free to plot her own course, and she does so with daring, making an unconventional life for herself in England and on the continent during and after the First World War. Her own daughter Flavia is the heroine of A Compass Error, which begins where the first novel concludes. Flavia too is a brilliant young woman, though both more brash and more faltering than her mother, studying for her entrance exam to Oxford when she becomes involved with a mysterious woman whose arrival at a sensitive moment in Flavia’s adolescence will alter both her and her mother’s lives forever.

Set in a two month period during the late 1920s, A Compass Error suggests that at some key juncture the book's main character, Flavia, made a mistake that somehow blew her life off course, perhaps into a new sexual orientation.

A Favourite of the Gods is the story of two generations of a single family, united by a strong matrilineal bond but divided by the customs of their differing nationalities. Anna Howland, the matriarch and American heiress, born in the 1870s to a prominent, liberal New England family marries an Italian prince and makes her home in Rome; her daughter Constanza, the favorite of the title, inherits her mother’s beauty, intelligence, and wealth, along with her father’s Catholicism, which she soon rejects. When disaster strikes, Anna and the prince fall back on the standards of behavior of their disparate cultures; Constanza, with her European upbringing, is free to plot her own course, and she does so with daring, making an unconventional life for herself in England and on the continent during and after the First World War. Her own daughter Flavia is the heroine of A Compass Error, which begins where the first novel concludes. Flavia too is a brilliant young woman, though both more brash and more faltering than her mother, studying for her entrance exam to Oxford when she becomes involved with a mysterious woman whose arrival at a sensitive moment in Flavia’s adolescence will alter both her and her mother’s lives forever.

Two vastly different families—one Jewish, one Catholic—are joined in marriage in this “witty, elegant, and uproariously funny” historical drama set in pre-war Europe (Evelyn Waugh). “Partly ironic, partly nostalgic, A Legacy calls to mind other novels that portray the zenith and decline of an ostentatious old order.” —The Wall Street Journal A Legacy is the tale of two very different families, the Merzes and the Feldens. The Jewish Merzes are longstanding members of Berlin’s haute bourgeoisie who count a friend of Goethe among their distinguished ancestors. Not that this proud legacy means much of anything to them anymore. Secure in their huge town house, they devote themselves to little more than enjoying their comforts and ensuring their wealth. The Feldens are landed aristocracy, well off but not rich, from Germany’s Catholic south. After Julius von Felden marries Melanie Merz the fortunes of the two families will be strangely, indeed fatally, entwined. Set during the run-up to World War I, a time of weirdly mingled complacency and angst, A Legacy is captivating, magnificently funny, and profound, an unforgettable image of a doomed way of life.

This wonderfully gossipy novel whisks readers through the glamorous worlds of turn-of-the-century Vienna, Paris and London.

Contemporary British Women Writers is a collection of ten essays, each devoted to an important novelist and written by a distinguished scholar. Included in this volume are Sybille Bedford, Anita Brookner, A.S. Byatt, Angela Carter, Isabel Colegate, Penelope Fitzgerald, Susan Hill, Molly Keane, Muriel Spark, and Fay Weldon. Each essay focuses on several novels, selected to reveal the novelist's consistent concerns and characteristic strategies. Individual bibliographies provide a full sense of the novelist's work as well as a discriminating guide to the best critical work available.

Shortlisted for the Booker Prize, Bedford's autobiographical novel paints a vivid picture of life in 1920s Europe between the wars. Sybille Bedford placed the ambiguous and inescapable stuff of her own life at the center of her fiction, and in Jigsaw—her fourth and final novel, which was shortlisted for the 1989 Booker Prize—she did it with particular artistry. “What I had in mind,” she was later to say, “was to build a novel out of the events and people who had made up, and marked, my early youth...Truth here was an artistic, not moral, requirement...It involved...writing about myself, my feelings, my actions.” And so she assembled the puzzle pieces of her singular past into a picture of her “unsentimental education.” We learn of a childhood spent alone with her father, “a stranded man of the world” living a life of “ungenteel poverty in quite grand surroundings,” a château, that is, deep in the German countryside, with wine but little else for him and his young daughter to hold body and soul together. We learn of her return to Italy and her mother, “the one character I wished to keep minor and knew all along that it could not be done,” and the dark secret consuming her mother’s life. Finally, she tells us how she lived with and learned from Aldous and Maria Huxley on the French Riviera, developing the sense of purpose and determination that made her the great writer she would become.