She was the incomparable Lily Molyneux, whose jet hair and sapphire eyes drove men to madness and revenge. Rich, reckless titles, her secrets would scar generations to come . . . . They could never have enough money or power to capture her elusive heart: three men who amassed fame and fortune in pursuit of the one woman they couldn't deny. And a fourth who dies for her sins . . . . Elizabeth Adler's enthralling novel of passion, privilege, and retribution sweeps from the castles of nineteenth-century Ireland to Boston bustling Back Bay, from Beacon Hill's mansions to Wall Street's towering heights: three generations haunted by buried passions that refuse to rest in peace . . . .

NEW YORK TIMES BESTSELLER • “A revelation . . . a book in the Caro mold, using Lady Bird, along with tapes and transcripts of her entire White House diary, to tell the history of America during the Johnson years.”—The New York Times The inspiration for the documentary film The Lady Bird Diaries, premiering November 13 on Hulu Perhaps the most underestimated First Lady of the twentieth century, Lady Bird Johnson was also one of the most powerful. In Lady Bird Johnson: Hiding in Plain Sight, Julia Sweig reveals how indispensable the First Lady was to Lyndon Johnson’s administration—which Lady Bird called “our” presidency. In addition to advising him through critical moments, she took on her own policy initiatives, including the most ambitious national environmental effort since Theodore Roosevelt and a virtually unknown initiative to desegregate access to public recreation and national parks in Washington, D.C. Where no presidential biographer has understood Lady Bird’s full impact, Julia Sweig is the first to draw substantially on her White House diaries and to place her center stage. In doing so, Sweig reveals a woman ahead of her time—and an accomplished strategist and politician in her own right. Winner of the Texas Book Award • Longlisted for the PEN/Jacqueline Bogard Weld Award

If death is the only true peace, then there can be only one true peacemaker...the Terror. In the land of Imphallion, one legend is remembered with horror—the Terror of the East. Twice his shadow has fallen across the land. First to conquer it. Then to save it. Both times he brought blood and death as his companions. And both times, he faded into bleak memory... Years later, memories are all Corvis Rebaine has left. The most painful of which is the memory of his beloved wife and children fleeing from him in horror after they learned of his terrible legacy. War has cost him more than his life, and he wants no more of it. But what Rebaine no longer matters. Because the Terror has returned. A merciless killer seemingly clad in the Terror’s old battle dress and wielding his demon-forged axe is sweeping across the land, slaughtering all in his path. And worse, an old enemy has returned to claim revenge, aided by a woman whose very soul is consumed with rage and hatred towards Rebaine—his own daughter. Now Rebaine must again wear the dreaded dark armor if he is going to save Imphallion as well as all he holds dear. But after so much war, so much blood, and so much pain, can he summon the strength to truly become the Terror once more? “The sequel to The Conqueror’s Shadow fills a vital niche in the fantasy adventurer genre, one occupied by the heroes of Michael Moorcock’s Elric Melniboné novels and C.S. Friedman’s Coldfire Trilogy.”—Library Journal “All a reader could ever ask for in a bloody, hack and slash sword and sorcery.”—Grasping for the Wind “Another thoroughly entertaining offering from Ari Marmell and one that any fantasy fan will have a lot of fun with.”—Graeme’s Fantasy Book Review The text of this edition is unchanged from that of the Del Rey edition.

Russell Woolfe, a faded TV producer, is struggling with his father’s death. Deeply uncomfortable with his own Jewish identity, he is torn between anger with his father—estranged over Russell’s marrying a non-Jewish woman—and grief over their failure to reconcile. At his father’s memorial Russell meets Joe Kuchinsky, a Polish survivor who unaccountably latches on to him. Kuchinsky claims to possess an ancient Hebrew manuscript that has been in his family for generations and which he wants to have translated before he dies. Kuchinsky believes fervently that the manuscript contains some important ancient wisdom—perhaps, even, the key to the survival of the Jewish people. Despite his doubts, Russell agrees to inspect the manuscript and tell Kuchinsky what it contains. Thus begins an international mystery that stretches a thousand years in the past, is wrapped in the tragedy of the Holocaust, and which comes to a startling conclusion that has dire personal consequences for everyone caught up in the saga. Filled with depth and pathos, The Legacy is destined to become one of the most important historical novels of the 21st century.

The two great Yeats Family Sales of 2017 and the legacy of the Yeats family’s 80-year tradition of generosity to Ireland’s great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan’s brilliant history of Yeats’s versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats’s responses to the Rising’s appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats’s purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on ‘Yeats and Belief’. Grevel Lindop provides a pioneering view of Yeats’s impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats’s Purgatory. William H. O’Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats’s intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current biographical, textual and literary scholarship are reviewed, Maud Gonne is the focus of debate for two reviewers, as are Eva Gore-Booth, Constance and Casimir Markievicz, Rudyard Kipling, David Jones, T. S. Eliot and his presence on the radio.