The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, there are no current anthologies that collect and celebrate the diverse writers who work in this mode today. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately two hundred persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, and their diversity is reflective of the wide range of authors working in this genre. The anthology also contains brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.

In Joseph Campana's debut collection, starring Audrey Hepburn, icons of public consumption speak in the language of private devotion. Encourage emulation. Inspire idolatry. Be a muse, be a nymph, be a sprite, bewitch me. Rise from obscurity. Set trends. Break habits. Make statements. Count blessings. Distribute kindnesses. Arouse devotion. Devote yourself to nobility. Ascend, ascend, ascend. -from "How to Be a Star"

Let Us Go Then, You and I is a new edition of T. S. Eliot's selected poems, published to celebrate his nomination as the 'Nation's Favourite Poet' in a BBC poll for National Poetry Day 2009.

How Many Faces Do You Have? is a poem sequence that interrogates intimacy, each poem a face the poet discovers, a reflection revealed in response to inner questioning. In a voice of quiet sonority, these lyrics journey from a high-school gym dance to a moonlit beach polka. They linger over sushi in Montreal and an airline meal at 40,000 feet on a flight. They touch joy and pain and celebrate the vicissitudes of love that goes “into the tangled heartland / where there is no trail,” as a gift of being. A face is such a strange thing. Obsessed with distortion, Modigliani loved elongated faces like Tamara’s at a distance, a flattened oval, two black jewels. He painted with a dagger in his teeth, they say, to see the face within the face — grave, cold-eyed as Nefertiti, Queen of Egypt, whom I’ve always loved for her name alone.

Jennifer Carpenter dreams of being a different person – A person with confidence, a person with beauty, a person who weighs a heck of a lot less. At twenty-seven, her world falls apart. She’s out of work, her mother has died, her estranged brother is in a coma and, despite good qualifications, each and every job interview ends in another rejection. Marked by the teasing, taunts, and fat jokes that defined her childhood, Jennifer blames her current lack of success on her ever-growing waist band. In need of a change, Jennifer puts her dream of ‘skinny’ above all else. Obsessed with this mission, she devotes her life to becoming the ideal version of herself even if it means becoming alienated from the only people who love her. Determined to lose the weight she believes is ruining her life, Jennifer finds herself in danger of losing so much more.

The forty-seven new works in this volume include poems on crickets, toads, trout lilies, black snakes, goldenrod, bears, greeting the morning, watching the deer, and, finally, lingering in happiness. Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to wake early.

An NYRB Classics Original Thus Were Their Faces offers a comprehensive selection of the short fiction of Silvina Ocampo, undoubtedly one of the twentieth century’s great masters of the story and the novella. Here are tales of doubles and impostors, angels and demons, a marble statue of a winged horse that speaks, a beautiful seer who writes the autobiography of her own death, a lapdog who records the dreams of an old woman, a suicidal romance, and much else that is incredible, mad, sublime, and delicious. Italo Calvino has written that no other writer “better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Jorge Luis Borges flatly declared, “Silvina Ocampo is one of our best writers. Her stories have no equal in our literature.” Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s most individual and finest.