Caryl Churchill's spare and resonant version of Strindberg's enigmatic masterpiece. Written in 1901, a mysterious amalgam of Freud, Alice in Wonderland and Strindberg's own private symbolism, A Dream Play follows the logic of a dream: A young woman comes from another world to see if life is really as difficult as people make it out to be. Characters merge into each other, locations change in an instant and a locked door becomes an obsessive recurrent image. As Strindberg wrote in his preface, he wanted 'to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.' This version of A Dream Play, from a literal translation by Charlotte Barslund, is by leading playwright Caryl Churchill. It was first performed in the Cottesloe auditorium of the National Theatre, London, in February 2005, in a production directed by Katie Mitchell, with additional material by Katie Mitchell and the company. Also included is an introduction by Caryl Churchill.

The room is dim, the chairs are in perfectly lined rows. The city planner puts up a color-coded diagram of the street improvement project, dreading the inevitable angry responses. Jana loves her community and is glad to be able to attend the evening meeting, and she has a lot of ideas for community change. But she has a hard time hearing, and can’t see the diagrams clearly. She leaves early. It’s time to imagine a different type of community engagement – one that inspires connection, creativity, and fun. People love their communities and want them to become safer, healthier, more prosperous places. But the standard approach to public meetings somehow makes everyone miserable. Conversations that should be inspiring can become shouting matches. So what would it look like to facilitate truly meaningful discussions between citizens and planners? What if they could be fun? For twenty years, James Rojas and John Kamp have been looking to art, creative expression, and storytelling to shake up the classic community meeting. In Dream Play Build, they share their insights into building common ground and inviting active participation among diverse groups. Their approach, “Place It!,” draws on three methods: the interactive model-building workshop, the pop-up, and site exploration using our senses. Using our hands to build and create is central to what makes us human, helping spark ideas without relying on words to communicate. Deceptively playful, this method is remarkably effective at teasing out community dreams and desires from hands-on activities. Dream Play Build offers wisdom distilled from workshops held around the world, and a deep dive into the transformational approach and results from the South Colton community in southern California. While much of the process was developed through in-person meetings, the book also translates the experience to online engagement--how to make people remember their connections beyond the computer screen. Inspirational and fun, Dream Play Build celebrates the value of engaging with the dreams we have for our communities. Readers will find themselves weaving these artful, playful lessons and methods into their own efforts for making change within the landscape around them.

"Life is a Dream," a work by Pedro Calderón de la Barca, is centered on issues of freedom and predestination. The play unfolds around Segismundo, Prince of Poland, imprisoned since birth by his father, King Basilio, due to a prophecy predicting the ruin of the kingdom under his rule. When Basilio decides to test fate by releasing Segismundo, the plot explores the consequences of this decision. The narrative addresses Segismundo's internal struggle with his destiny and the nature of reality, questioning whether life is a dream from which one can awaken. Other characters, such as Rosaura and Astolfo, weave subplots that interconnect personal desires and social duties, reflecting on justice, honor, and love. Set in a context that blends elements of drama, philosophy, and politics, the play investigates the complexity of the human condition, the ethics of leadership, and the power of repentance and personal transformation. With a structure that includes intrigue, plot twists, and reflections on being and seeming, "Life is a Dream" invites the audience to ponder freedom and determinism.

The Father; Miss Julie; The Stronger; Easter; A Dream Play; The Ghost Sonata.

For use in schools and libraries only. American Dream and Zoo story: two plays