A portrait of a young artist's formative years studying sculpture in Paris, recounted in her own words Angela Gregory is considered by many the doyenne of Louisiana sculpture and is a notable twentieth century American sculptor. In A Dream and a Chisel, Angela Gregory and Nancy Penrose explore Gregory's desire, even as a teenager, to learn the art of cutting stone and to become a sculptor. Through sheer grit and persistence, Gregory achieved her dream of studying with French artist Antoine Bourdelle, one of Auguste Rodin's most trusted assistants and described by critics of the era as France's greatest living sculptor. In Bourdelle's Paris studio, Gregory learned not only sculpting techniques but also how to live life as an artist. Her experiences in Paris inspired a prolific sixty-year career in a field dominated by men. After returning to New Orleans from Paris, Gregory established her own studio in 1928 and began working in earnest. She created bas-relief profiles for the Louisiana State Capitol built in 1932 and sculpted the Bienville Monument, a bronze statue honoring the founder of New Orleans, in the 1950s. Her works also include two other monuments, sculptures incorporated into buildings, portrait busts, medallions, and other forms that appear in museums and public spaces throughout the state. She was the first Louisiana woman sculptor to achieve international recognition, and, at the age of thirty-five, became one of the few women recognized as a fellow of the National Sculpture Society. Gregory's work appeared in group shows at many prestigious museums and in exhibitions, including the Salon des Tuileries and the Salon d'Automne in Paris, the Palace of the Legion of Honor in San Francisco, the National Collection of Fine Arts in the Smithsonian in Washington, D.C., and the Metropolitan Museum of Art in New York. This memoir is based on Penrose's oral history interviews with Gregory, as well as letters and diaries compiled before Gregory's death in 1990. A Dream and a Chisel demonstrates the importance of mentorships, offers a glimpse into the realities of an artist's life and studio, and captures the vital early years of an extraordinary woman who carved a place for herself in Louisiana's history.

A portrait of a young artist's formative years studying sculpture in Paris, recounted in her own words Angela Gregory is considered by many the doyenne of Louisiana sculpture and is a notable twentieth century American sculptor. In A Dream and a Chisel, Angela Gregory and Nancy Penrose explore Gregory's desire, even as a teenager, to learn the art of cutting stone and to become a sculptor. Through sheer grit and persistence, Gregory achieved her dream of studying with French artist Antoine Bourdelle, one of Auguste Rodin's most trusted assistants and described by critics of the era as France's greatest living sculptor. In Bourdelle's Paris studio, Gregory learned not only sculpting techniques but also how to live life as an artist. Her experiences in Paris inspired a prolific sixty-year career in a field dominated by men. After returning to New Orleans from Paris, Gregory established her own studio in 1928 and began working in earnest. She created bas-relief profiles for the Louisiana State Capitol built in 1932 and sculpted the Bienville Monument, a bronze statue honoring the founder of New Orleans, in the 1950s. Her works also include two other monuments, sculptures incorporated into buildings, portrait busts, medallions, and other forms that appear in museums and public spaces throughout the state. She was the first Louisiana woman sculptor to achieve international recognition, and, at the age of thirty-five, became one of the few women recognized as a fellow of the National Sculpture Society. Gregory's work appeared in group shows at many prestigious museums and in exhibitions, including the Salon des Tuileries and the Salon d'Automne in Paris, the Palace of the Legion of Honor in San Francisco, the National Collection of Fine Arts in the Smithsonian in Washington, D.C., and the Metropolitan Museum of Art in New York. This memoir is based on Penrose's oral history interviews with Gregory, as well as letters and diaries compiled before Gregory's death in 1990. A Dream and a Chisel demonstrates the importance of mentorships, offers a glimpse into the realities of an artist's life and studio, and captures the vital early years of an extraordinary woman who carved a place for herself in Louisiana's history.

The most authoritative, comprehensive and up to date book available on dreams and dreaming, The A to Z of Dream Interpretation enables you to tap into a whole new level of knowledge and understanding. Uniquely, each entry within the extensive A to Z section offers three levels of interpretation based on the latest research - spiritual, psychological and everyday. Where appropriate, a fourth interpretation by gender helps you understand more fully the dreams of partners and friends. In addition, this book will help you to see the link between sleep and dreams, the different types of dream and how to deal with them, as well as the people and theories that have shaped dream interpretation and analysis. Written by one of the world's foremost dream interpreters, The A to Z of Dream Interpretation gives you the opportunity to heal previous trauma, to enhance the way you live and to reach for the best within yourself.

The most authoritative and comprehensive book available on dreams and dreaming. Enter the fascinating world of dreams, their mysteries, their meanings: to dream of a bird flying freely represents hopes and aspirations; to dream of winter means a time in life that is not fruitful; to be visited by someone in a dream can mean that there is information, warmth, or love available; to be searching in a dream is an attempt to find an answer to a problem. These are just a few of the 10,000 dream images and interpretations contained in this volume, a book that can bring insight, clarification, and guidance.

With over over 1 million copies sold, this "admirable" dictionary is the result of years of research, packaged in an easy-to-use guide telling you how to distinguish the four types of dreams, identify dream symbols, and understand meanings (New York Times). Dreams--they belong to our most intimate experiences. In dreams, our memories, the events of the day, and our fears and expectations for the future mingle in strange and baffling ways to challenge our understanding. Now this amazingly complete, alphabetically arranged bedside reference--the result of years of meticulous research through ancient and modern sources--offers clear, authoritative, and instant insight into the astonishing meaning of your dreams. Did you dream : Flowers?... If they were fresh, expect a happy occasion. Driving?... If you were at the wheel, watch your wallet! Movies?... If you didn't like the show, beware of insincere friends. Soap?... If it was scented, you'll find happiness in love.

Synopsis of myself. Gordon Cotter...Male DOB 11: 05: 1934 in Birmingham England. In September 1939, I, and thousands of children, was evacuated from inner cities, to rural Britain, this was to escape the onset of heavy bombing by German Luftwaffe planes. As war had been declared on Germany. I was sent to a small community in Northern Scotland. There was no communication in those days. Only things we heard was from the Radio. It was put on twice a day. The local community was made up of farmers, and some of the wives went to the local Landowner as maids and cleaning staff. I was 5 years old, and it took time for me to be accepted. I went to the local schoolhouse three times a week for lessons. The rest of the time I was expected to help around the farmyard. I began to notice that a lot of women often came to the house and was taken into the parlour, sometimes I would sneak into here and watch, and listen to the women talking. After a while I got braver and just sat in a corner whilst the women were there. It began to come to me that these women were telling my Grandma about their dreams. When they were finished they gave my granda some eggs, or butter. Now I understand it was payment. As time went on I began to understand more of what granda was saying to these women. I became interested in it. I still did not know what it was about. Years past, and when I was about eleven or twelve. The was came to an end. I had settled into life in Scotland and quite enjoyed the life. It was then that I was told about me being an Evacuee, and I could return to my original home if I wanted to. I did not remember any of it so I said that I wanted to stay. (Years Later I regretted this action) I had become very close to my grandmother during this time, and she and I often talked about the dreams and she said that I, did seem to have the gift????? I had by this time began to understand just what she meant by the various talks with these women. I was eventually allowed to sit in on the talks, and sometimes I was asked for my opinion. In later life, my granda became poorly, and she showed me a lot of her private books that she had written down her musings on all of the subjects within dreams. I was asked to take over from her for the readings. When she died, I was asked if I wanted anything of hers. I asked for the books that she had written down her thoughts on the subject. I moved back to Birmingham, and the books lay in my attic for years. In 1972 I came across them and again began to get an interest in the interpretation of dreams. I got out grandma's books and decided to bring them up to date. It has taken my since then to complete them.