Describes Jerry Butler's development as an artist and his discovery of the long and beautiful tradition of Afro-American art that preceded him.

Longlisted for the National Book Award "Mind-blowing." —Kim Gordon DEADPAN, EPIC, AND SEARINGLY CHARISMATIC, A Sand Book chronicles climate change and climate grief, gun violence and bystanderism, state violence and complicity, mourning and ecstasy, sex and love, and the transcendent shock of prophecy, tracking new dimensions of consciousness for our strange and desperate times.

The Ice Cream Man works hard in his ice cream shop making party poppers, and cakes and even taking a day off once in awhile.

The sand art bottles of Andrew Clemens (1857-1894) draw reactions of astonishment and disbelief. Deaf from age six, Clemens began creating his bottles at an early age, selling them from his home and in local shops in his hometown of McGregor, Iowa. He later developed his craft to an extraordinarily high degree, using tempered hickory sticks with specially designed tips to deposit and position naturally colored grains of sand inside chemists' bottles. Many since have attempted to duplicate his technique but his works of art stand unmatched. Clemens made possibly thousands of sand art bottles during his short life but relatively few remain. Some of these are in museums, and many are in private collections. Those that occasionally appear at auctions sell for thousands of dollars. This book covers Clemens's life and work, with dozens of detailed photographs of his intricate designs.

Provides a multimodal analysis of women's sand stories from Central Australia, showing how speech, sign, gesture and drawing work together.

Explaining the science contained in a simple assembly of grains—the most abundant form of matter present on Earth. Granular media—composed of vast amounts of grains, consolidated or not—constitute the most abundant form of solid matter on Earth. Granular materials assemble in disordered configurations scientists often liken to a bag of marbles. Made of macroscopic particles rather than molecules, they defy the standard scheme of classification in terms of solid, liquid, and gas. Granular materials provide a model relevant to various domains of research, including engineering, physics, and biology. William Blake famously wished “To See a World in a Grain of Sand”; in this book, pioneering researchers in granular matter explain the science hidden behind simple grains, shedding light on collective behavior in disordered settings in general. The authors begin by describing the single grain with its different origins, shapes, and sizes, then examine grains in piled or stacked form. They explain the packing fraction of granular media, a crucial issue that bears on the properties displayed in practical applications; explore small-scale deformations in piles of disordered grains, with particular attention to friction; and present theories of various modes of disorder. Along the way, they discuss such concepts as force chains, arching effects, wet grains, sticky contacts, and inertial effects. Drawing on recent numerical simulations as well as classical concepts developed in physics and mechanics, the book offers an accessible introduction to a rapidly developing field.