Part autobiography, part fiction, this early work by the author of The Master and Margarita shows a master at the dawn of his craft, and a nation divided by centuries of unequal progress. In 1916 a 25-year-old, newly qualified doctor named Mikhail Bulgakov was posted to the remote Russian countryside. He brought to his position a diploma and a complete lack of field experience. And the challenges he faced didn’t end there: he was assigned to cover a vast and sprawling territory that was as yet unvisited by modern conveniences such as the motor car, the telephone, and electric lights. The stories in A Country Doctor’s Notebook are based on this two-year window in the life of the great modernist. Bulgakov candidly speaks of his own feelings of inadequacy, and warmly and wittily conjures episodes such as peasants applying medicine to their outer clothing rather than their skin, and finding himself charged with delivering a baby—having only read about the procedure in text books. Not yet marked by the dark fantasy of his later writing, this early work features a realistic and wonderfully engaging narrative voice—the voice, indeed, of twentieth century Russia’s greatest writer.

In this collection of short stories, drawing heavily from the author's own experiences as a medical graduate on the eve of the Russian Revolution, Bulgakov describes a young doctor's turbulent and often brutal introduction to his practice in the backward village of Muryovo. Using a sharply realistic and humorous style, Bulgakov reveals his doubts about his own competence and the immense burden of responsibility, as he deals with a superstitious and poorly educated people struggling to enter the modern age. This acclaimed collection contains some of Bulgakov's most personal and insightful observations on youth, isolation and progress. This edition also includes the famous piece 'Morphine' by Bulgakov.

This book addresses the over-prescribing of antidepressants in people with mostly mild and subthreshold depression. It outlines the steep increase in antidepressant prescription and critically examines the current scientific evidence on the efficacy and safety of antidepressants in depression. The book is not only concerned with the conflicting views as to whether antidepressants are useful or ineffective in various forms of depression, but also aims at detailing how flaws in the conduct and reporting of antidepressant trials have led to an overestimation of benefits and underestimation of harms. The transformation of the diagnostic concept of depression from a rare but serious disorder to an over-inclusive, highly prevalent but predominantly mild and self-limiting disorder is central to the books argument. It maintains that biological reductionism in psychiatry and pharmaceutical marketing reframed depression as a brain disorder, corroborating the overemphasis on drug treatment in both research and practice. Finally, the author goes on to explore how pharmaceutical companies have distorted the scientific literature on the efficacy and safety of antidepressants and how patient advocacy groups, leading academics, and medical organisations with pervasive financial ties to the industry helped to promote systematically biased benefit-harm evaluations, affecting public attitudes towards antidepressants as well as medical education, training, and practice.

An army physician in pre-Communist Russia, Dr. Boris Sokoloff was elected to the democratic Constituent Assembly by the Army's southwestern sector in 1917. As someone active in the Army drives to rid the World War I regiments of their hard-core Communist groups, he was appointed head of the defense committee. The committee had been formed too late, however, and Lenin's Communists overthrew Kerensky's government. Sokoloff was in the middle of this revolutionary violence and turmoil and tells of the fall of the Winter Palace as he witnessed it and of his role in the attempt to assassinate Lenin. Later, attempting to flee across the White Sea, Sokoloff was arrested as an associate of Kerensky. He was condemned to death in notorious Boutyrki Prison, only to relieve a last-minute reprieve.

This study explores the poet John Keats’ manuscript medical Notebook from his time at Guy’s Hospital (October 1815 – March 1816), reconstructing and recovering the intriguing and mutually enriching connections between Keats’ two careers of medicine and poetry.

‘When I want to know the real rock-bottom truth about what happens all the time in this doctoring life, what happens to us, and to the folks who bring us their hearts and worries to be heard, that’s when I turn, every time, to the novelists, the playwrights, the poets, the essayists, who have given us the sights and sounds, the feel, of all that goes on, minute by minute. What Tolstoy and Chekhov knew, we need to know for ourselves, for our own sakes, as we live out our medical lives.’ William Carlos Williams ‘The most fundamental of all consulting skills is genuine curiosity about other people, the constant urge to wonder ‘Why are they as they are?’ We should open our minds to the life of the imagination not just for its entertainment value, but for the mindset of curiosity it engenders in us. Such books as John Salinsky describes in this and his previous volume combine powerful opportunities for our own professional growth with pleasure and recreation too.’ Roger Neighbour in his Foreword ‘This carefully assembled, wonderfully telling book is a “companion,” for sure, a lasting and most helpful one, for the medical travelling that awaits us.’ Robert Coles in his Foreword.

This blank paperback notebook is perfect for a medical assistant. It can be used to write patient notes or notes about doctors orders. Or, it can be used as a general journal to record ideas, thoughts or lists. It is a great appreciation gift for Medical Assistants Recognition Day.