Authentic classification of European and American designs for professionals and connoisseurs.

Neat Pieces is a detailed, extensively illustrated survey of the major forms and makers of the "plain style" of furniture made and used by Georgians in the 1800s. Simply designed, solidly constructed of local woods, and usually unadorned, such pieces were used daily by their owners for storage, sleeping, eating, and more. Today, this furniture is read by historians, folklorists, and other experts for clues into a past way of life. It is also prized by museums, antiques dealers and auction houses, and furniture appraisers, collectors, and makers. Neat Pieces first appeared as the companion volume to the Atlanta History Center's seminal 1983 exhibit of the same name. The exhibit featured 126 exemplary pieces of furniture, including chairs, tables, huntboards, washstands, and candlestands. Each of them is described and illustrated in this book. Photographs in the original edition of Neat Pieces were black-and-white; here they are color. A new foreword by Deanne Levison looks at related publications and exhibits of the subsequent two decades. The introduction, by William W. Griffin, provides information on furniture forms, nomenclature, and finishes. Also included in the book is a list of more than twelve hundred nineteenth-century Georgia furniture craftsmen, with key details of their lives and work. 126 exemplary pieces of furniture (including chairs, tables, huntboards, washstands, and candlestands) 172 color photographs, 17 black-and-white photographs Information on furniture forms, nomenclature, and finishes Details about more than twelve hundred nineteenth-century Georgia furniture craftsmen

A guide to the characteristic shapes and styles of different periods. Each major style is examined in depth from a number of perspectives.

An attractive overview and peerless reference source on Asian furniture design through the centuries. Western-style furniture was a relatively late arrival in Asia, where climates and lifestyles were markedly different from those in Europe. But colonial incursions and the exigencies of history conspired to bring about profound changes, and furniture design in Asia blossomed into a major decorative art. Each of the eight countries covered here--China, India, Indonesia, Japan, Korea, Thailand, Tibet, and the Philippines--developed its own particular designs, as unmistakably distinctive as its flag or anthem. Rather than simply succumbing to practical necessities, Asian designers created pieces of furniture as works of art. Today these diverse pieces are treasured by collectors worldwide, from Manhattan lofts to Parisian apartments, as well as in the countries where they originated. The examples featured in this book were drawn from private collections, antique dealers, and museums around the world, and are organized by country and then by type: chairs, armoires, tables, chests, and more. Each piece has been specially photographed and isdescribed in detail, and the relations between the various periods and styles are explored. The texts have been written by experts from the eight countries represented here.

Emyl Jenkins provides the first accessible, user-friendly source of information on Reproduction furniture: how, when, where, and by whom these beautiful pieces were made. Includes a directory of museums and restorations where Reproduction furniture can be seen, and a listing of cabinetmakers who are currently creating handmade Reproduction furniture. Illustrations.

Offers insight into the little-known furniture of the Lesser Antilles and includes over 200 illustrated examples of island furniture, with detailed captions. A comprehensive study of this hiterto neglected subject.