Scripture opens itself up by its own words and interpretation. William Perkins is the father of Puritanism, often remembered for his preaching manual, The Art of Prophecy. Much attention has been given to the Puritan movement, especially in its later forms, but comparatively little has been given to Perkins. In The Gloss and the Text, Andrew Ballitch provides a thorough examination of the hermeneutical principles that governed Perkins's approach to biblical interpretation. Perkins taught that the Bible was God's word as well as the interpretation of God's word. Interpretation is no private matter; it is a public gift of the Spirit of God for the people of God. Ballitch's study sheds light on Perkins as a preacher, theologian, and student of Scripture.

Situates the act of critical reading in the context of poetic aesthetics. This volume situates the act of critical reading in the context of poetic aesthetics. Running alongside recent post-structuralist theories, the textuality of such matters as literary discourse, history, media, philosophy and religion has emerged as a focal point of debate in the humanities. The essays here examine how questions of the canon, genres, and transformation of texts challenge the present epistemological situation; taking an interdisciplinary approach to textual readings, their methodology is drawn from a range of literary figures and critics, including Lessing, Kafka, Walter Benjamin, and Derrida. The study also addresses the controversial predicament of subjectivity asone of the key terms in current literary and historical scholarship.

Reprint of the original, first published in 1872.