THE SUNDAY TIMES BESTSELLER Join national treasure Gary Barlow as he opens the curtains on his remarkable life in this stunning autobiography, from his fascinating early life to his star-studded music career 'Warm, wise . . . A never-before-seen insight into one of Britain's greatest songwriters' Woman's Own 'I just wanted to share my personal journey through the last five decades - the highs and lows, the ups and downs. So in A Different Stage, this is me opening the curtains and sharing moments nobody has heard or seen before . . .' __________ In this warm, intimate and humorous book, rich with nostalgia and unexpected intimate detail, Gary Barlow unpacks the people, music, places, things and cultural phenomena that have made him the man that he is. From the working men's club where it all began through to the sold out stadium tours, this is the story of Gary's life told through music. Filled with a mixture of brand new photography from Gary's current one-man show and incredibly personal unseen photos and notebooks, A Different Stage is a beautiful book about the man we've spent our lives listening to. __________ 'Refreshingly honest . . . Think you know everything there is to know about the Take That megastar? Think again' Woman & Home

A top-ranking director sets out his rehearsal techniques in this invaluable handbook for actors/directors.

Modern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains. He asks how changes in the structure of the drama relate to changes in the structure of the theatre, and changes in the role of the audience. Detailed interpretations of plays by Pinero, Ibsen, Strindberg, Brecht, Ionesco, Beckett and Pinter question principles about the modern theatre and establish links between drama structure and theatre structure, theme, and performance space.

Caught in a war between the rebels and the invading colonizers, Jetta must make an impossible choice—save her people or protect her sanity. The second book in Heidi Heilig’s acclaimed Shadow Players trilogy blends traditional storytelling with ephemera to weave an enthralling fantasy that fans of Leigh Bardugo and Sabaa Tahir will sink into. Jetta is a wanted criminal. The army wants her for treason against the crown, for the sabotage of Hell’s Court temple, and for the murder of General Legarde. They also want her for the power in her blood—the magic that captures wandering spirits to give life to puppets, to rocks, to paper . . . to weapons. They’re willing to trade the elixir that treats Jetta’s madness for the use of her blood. The rebels want her, too, to help them reclaim their country. Jetta may be the one who can tip the scales in this war. But Jetta fears using her power will make her too much like Le Trépas, the terrifying and tyrannical necromancer who once held all Chakrana under his thumb—and who is Jetta’s biological father. She’s already raised her brother from the dead, after all. And scared off Leo, the only person who saw her as she truly is. With Le Trépas at large and a clash between the army and the rebels becoming inevitable, Jetta will have to decide if saving her country is worth sacrificing her soul. Acclaimed author Heidi Heilig creates a rich world inspired by Southeast Asian cultures and French colonialism. Told from Jetta’s first-person point-of-view, as well as with chapters written as play scripts and ephemera such as songs, maps, and letters, A Kingdom for a Stage is a vivid, fast-paced journey that weaves magic, simmering romance, and the deep bonds of family with the high stakes of epic adventure. It will thrill fans of Stephanie Garber and Renée Ahdieh.

"... powerfully renders what it’s like to live life to the fullest." Publishers Weekly Starred Review My name is Mickey Rowe. I am an actor, a theatre director, a father, and a husband. I am also a man with autism. You think those things don’t go together? Let me show you that they do. Growing up, Mickey Rowe was told that he couldn’t enter the mainstream world. He was iced out by classmates and colleagues, infantilized by well-meaning theatre directors, barred from even earning a minimum wage. Why? Because he is autistic. Fearlessly Different: An Autistic Actor's Journey to Broadway's Biggest Stage is Mickey Rowe’s story of growing up autistic and pushing beyond the restrictions of a special education classroom to shine on the stage. As an autistic and legally blind person, living in a society designed by and for non-disabled people, it was always made clear to Mickey the many things he was apparently incapable of doing. But Mickey did them all anyway—and he succeeded because of, not in spite of, his autism. He became the first autistic actor to play the lead role in the play The Curious Incident of the Dog in the Night-Time, landed the title role in the play Amadeus, co-created the theatre/philanthropy company Arts on the Waterfront, and founded the National Disability Theatre. Mickey faced untold obstacles along the way, but his story ends in triumph. Many people feel they are locked out of the world of autism—that it’s impossible to even begin to understand. In Fearlessly Different, Mickey guides readers to that world while also helping those with autism to feel seen and understood. And he shows all people—autistic and non-autistic alike—that the things that make us different are often our biggest strengths.

Revered as the authoritative resource for stage management, this text offers students a practical manual on how to stage manage in all theater environments. Rich with practical resources — checklists, diagrams, examples, forms and step-by-step directions — Stage Management eschews excessive discussion of philosophy and gets right to the essential materials and processes of putting on a production. In addition to sharing his own expertise, Stern has gathered practical advice from working stage managers of Broadway, off-Broadway, touring companies, regional, community, and 99-seat Equity waiver theaters.

This is young William, His mind all ablaze, Who stays up all night Writing poems and plays. And this is a book, unforgettable and wise, that applauds inspiration, creation, story, and the world and works of William Shakespeare. Illustrated by Caldecott Honor artist Anita Lobel, All the World's a Stage pays tribute to the act of turning words into art.