In a continuation of Dave Jordano's critically-acclaimed Detroit: Unbroken Down (powerHouse Books, 2015), which documented the lives of residents, Detroit Nocturne is an artist's book not of people this time, but instead the places within which they live and work: structures, dwellings, and storefronts. Made at night, these photographs speak to the quiet resolve of Detroit's neighborhoods and its stewards: independent shop proprietors and home owners who have survived the long and difficult path of living in a post-industrial city stripped of economic prosperity and opportunity. In many rust-belt cities like Detroit, people's lives often hang in the balance as neighborhoods support and provide for each other through job creation, ad-hoc community involvement, moral and spiritual support, and a well-honed Do-It-Yourself attitude. With all the media attention about Detroit's rebirth and revival, it is important to note that many neighborhoods throughout the city have managed to survive against the odds for years, relying on local merchants and businesses that operate on a cash only basis who have stuck it out through decades of economic decline. Determination and a strong sense of self-preservation: Detroit's citizens manage to survive by maintaining a healthy sense of connection without the fear of giving up. All of these places of business and residences, whether large or small, are in many ways symbols representing the ongoing story that is Detroit, and a testament to the tenacity of those who are trying desperately to hold on to what is left of the social and economic fabric of the city. These photographs speak to that truth without casting an overly sentimental gaze. These nocturnal images offer a chance to view the locations in an unfamiliar light, and offer a moment of quiet and calm reflection.

Dave Jordano returned to his hometown of Detroit to document the people who still live in what has become one of the country's most economically challenging cities. Against a backdrop of mass abandonment through years of white flight, unemployment hovering at almost three times the national average, city services cut to the bone, a real estate collapse of massive proportions, and ultimately filing the largest municipal bankruptcy in U.S. history, Jordano searches for the hope and perseverance of those who have had to endure the hardship of living in a post-industrial city that has fallen on the hardest of times. From the lower Southeast Side where urban renewal and government programs slowly became the benchmark of civic failure, to the dwindling enclaves of neighborhoods like Delray and Poletown (onceblue-collar neighborhoods that have all but vanished),Jordano seeks to dispel the popular myth perpetrated through the media that Detroit is an empty wasteland devoid of people. He encounters resolute individuals determined to make this city a place to live,from a homeless man who decided to build his own one-room structure on an abandoned industrial lot because he was tired of sleeping on public benches, to a group of squatters who repurposed long-abandoned houses on a street called Goldengate. Jordano discovers and rebroadcastsa message of hope and endurance to an otherwise greatly misunderstood and misrepresented city.Detroit: Unbroken Downis not a document solely about what's been destroyed, but even more critically, about all that has been left behind and those who remain to cope with it.

Please note that all blank pages in the book were chosen as part of the design by the publisher. A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers. Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age. It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.

Story by Thom Jones, Texts by Nancy Spector and Douglas Fogle, Edited by Neville Wakefield Gaskell's work has been hailed by art critic Robert Malony to be 'as rich in performative ambiguity as Cindy Sherman's best works and as new as art can feel.' This first monograph, loosely based on 'Alice in Wonderland', 'Carrie', and 'The Exorcist', among other sources, creates a visually seductive and disturbingly fractured fairytale, an interrogation of the issues of identity, growing up and sexual transformation. 68 full-colour photos and 12 b/w illustrations.

In the early 1990s, members of an extremist black metal cult in Norway burned down churches and desecrated graveyards: what had initially began as a teenage frenzy had now become a dangerous and violent subculture. In this book photographer Peter Beste captures the unusual and disturbing imagery associated with Norwegian black metal.

The first book in the thrilling fantasy series about arson investigator Anya Kalinczyk, the fires she fights and the demons she hunts. Truth burns. Unemployment, despair, anger—visible and invisible unrest feed the undercurrent of Detroit’s unease. A city increasingly invaded by phantoms now faces a malevolent force that further stokes fear and chaos throughout the city. Anya Kalinczyk spends her days as an arson investigator with the Detroit Fire Department, and her nights pursuing malicious spirits with a team of eccentric ghost hunters. Anya—who is the rarest type of psychic medium, a Lantern—suspects a supernatural arsonist is setting blazes to summon a fiery ancient entity that will leave the city in cinders. By Devil’s Night, the spell will be complete, unless Anya—with the help of her salamander familiar and the paranormal investigating team—can stop it. Anya’s accustomed to danger and believes herself inured to loneliness and loss. But this time she’s risking everything: her city, her soul, and a man who sees and accepts her for everything she is. Keeping all three safe will be the biggest challenge she’s ever faced.

“A serious chronicle of war and a sympathetic—even moving—portrayal of the soldier’s hopeless stoicism. " — New York Times First published to little notice in 1977, Hitler Moves East is now widely regarded as a groundbreaking classic of modern photography. In this elegant, large-format limited edition, David Levinthal and Garry Trudeau’s seminal book is finally being presented at a scale that does full justice to their haunting vision of war. As the New York Times pointed out ten years after publication, “Levinthal’s war pictures are radically new," and indeed they were. Using cheap, molded plastic toy soldiers and tanks, art school classmates Trudeau and Levinthal conceived a fascinating new narrative form, a “paper movie,” at once deeply evocative and unabashedly fake. Combining selected archival materials with photographs of 1/35-scale toys placed in meticulously constructed miniature settings, the two artists conjured up an astonishing reimagining of World War II’s most epic campaign—the German invasion of the Soviet Union. Traveling precariously between fantasy and reality, Levinthal and Trudeau produced a work now recognized as both a sublime graphic manifesto and a powerful documentary of men at war. David Levinthal and Garry Trudeau began their collaboration on Hitler Moves East shortly after both had graduated from the Yale School of Art and Architecture in 1973. Levinthal has since published numerous book of photographs, including Modern Romance, The Wild West, and Mein Kampf. Trudeau is the Pulitzer Prize-winning creator of the long-running comic strip Doonesbury.