Excerpt from A Descriptive Catalogue of Manuscripts in the Libraries of the University of Chicago Label: wanting. The tooled and gilded back of the red leather binding bears no name, but a rectangular paper label at the bottom is marked LXIII; cf. Nos. 5, 11, 51, 52, 65. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from A Catalogue of the Manuscripts, Vol. 2: Preserved in the Library of the University of Cambridge The Contributors to this Volume are as follows: 1. Anglo-Saxon, Anglo-Norman and Early English Literature, Mr O. Hardwick, St Catharine's Hall, Editor. 2. Classical, Mr Chuechill Babington, St John's College. 3. Heraldic and Monastic Cartularies, Mr Chas. C. Babington, St John's College. 4. Historical, Mr W. R. Collett, Gonville and Caius College. 5. Legal, Professor Abdy, Trinity Hall. 6. Scientific, Medical, &c. Mr J. Glover, Trinity College. 7. Theological, Mr H. E. Luard and Mr C. B. Scott, Trinity College. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.