Excerpt from A Description of the First Discoveries of the Antient City of Herculaneum: Found Near Portici, a Country Palace Belonging to the King of the Two Sicilies In defcribing the Neapolitan Country Dancer, which he elegantly calls Dancing Bouts, he has omitted their imitating the Winding: of the Lahyrinth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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The Villa of the Papyri is a unique archaeological site and has been very influential in the field of classical studies. The papyri (the only intact library to survive from Greco-Roman antiquity) and bronze sculptures found in the villa have contributed to our knowledge of the ancient world and the villa has become for us the “ideal model” of Roman luxury villa culture. This volume brings together papers delivered by experts in various fields addressing the cultural significance of this ancient site in its contemporary Roman context as well as its cultural reception from its discovery over two hundred and fifty years ago to the most recent excavations in the late twentieth century. They also explore the ways in which digital archaeology can assist our efforts to understand and investigate ancient sites. Topics treated include the Villa’s architecture, decoration, and content (i.e., wall-paintings, sculptures, and papyri); their reception since the 18th century; and the current state of knowledge based on the recent partial excavations in the Villa, presented here in English for the first time. Furthermore, the use of digital models of the Villa that incorporate the data from the new excavations and a discussion on the ways in which such models may be used for educational and research purposes are also presented.

This new translation brings to light the early days of scientific archaeology and the unearthing and study of Herculaneum and Pompeii as observed by the erudite and acerbic art historian Johann Joachim Winckelmann (1717-1768). His Letter, published in German in 1762, displays his extensive knowledge of geology, ancient literature, and art while offering a scathing critique of the Spanish Bourbon excavations around the Bay of Naples and of the officials involved. He further discusses these topics in his equally controversial Report of 1764. The introduction describes the context in which these texts were written, identifies various politicians, academics, and collectors, and elucidates topics of particular interest to Winckelmann, from artifacts to local customs to the contents of ancient papyri. The illustrations, particularly those from the Bourbon publication--Le Antichità di Ercolano (1757-92)--illuminate how these monuments influenced contemporary perception of the ancient world.