A DEEP DREAM is all about dreams, which take you to another world of imagination, where there is nobody to judge your limits, where there are only you and your world! Nightmares also called a bad dream, is an unpleasant response from the mind, typically fear but also despair, anxiety, and great sadness. While some nightmares may leave a permanent scar that may lame your mind for an instant or maybe at times. Here you can share some of your nightmares, some of your odd situations after nightmares that created you to stay in it for a long instant in reality. Nightmares are often differentiated from dreams when they cause the sleeper to actually wake up and experience intense feelings upon waking.

The night and popular music have long served to energise one another, such that they appear inextricably bound together as trope and topos. This history of reciprocity has produced a range of resonant and compelling imaginaries, conjured up through countless songs and spaces dedicated to musical life after dark. Nocturnes: Popular Music and the Night is one of the first volumes to examine the relationship between night and popular music. Its scope is interdisciplinary and geographically diverse. The contributors gathered here explore how the problems, promises, and paradoxes of the night and music play off of one another to produce spaces of solace and sanctuary as well as underpinning strategies designed to police, surveil and control movements and bodies. This edited collection is a welcome addition to debates and discussions about the cultures of the night and how popular music plays a continuing role in shaping them.

Making New Words provides a detailed study of the 200 or so prefixes and suffixes which create new words in today's English. Alongside a systematic discussion of these forms, Professor Dixon explores and explains the hundreds of conundrums that seem to be exceptions to general rules. Why, for instance, do we say un-distinguished (with prefix un-) but in-distinguishable (with in-); why un-ceasing but in-cesssant? Why, alongside gold-en, do we say silver-y (not silver-en)? Why is it wood-en (not wood-ic) but metall-ic (not metall-en)? After short preliminary chapters, which set the scene and outline the criteria employed, there are accounts of the derivation of negative words, of other derivations which do not change word class, on making new verbs, new adjectives, new nouns, and new adverbs. The final chapter deals with combinations of suffixes, of prefixes, and of the two together. Within each chapter, derivational affixes are arranged in semantic groups, the members of which are contrasted with respect to meaning and function; for example, child-less and child-free. For each affix there is an account of its genetic origin (from Old English, Greek, Latin, French, and so on), its phonological form and implications for stress placement, the roots it can be attached to (and why), and how its range of meanings has developed over the centuries. The book is written in the author's accustomed style - clear and well-organised, with easy-to-understand explanations. The exposition is illustrated by examples, ranging from Shakespeare, W. S. Gilbert, and modern novels to what was heard on the radio. It will be an invaluable text and sourcebook for scholars and students of the English language and of general linguistics, from undergraduate level upwards. The many fascinating facts presented here, in such a lucid and accessible manner, will also appeal to the general reader interested in picking to pieces the English language to see how it works.

Seventeen essays examine the career and films of director Stanley Kubrick from a variety of perspectives. Part I focuses on his early career, including his first newsreels, his photography for Look magazine, and his earliest films (Fear and Desire, Killer's Kiss). Part II examines his major or most popular films (Paths of Glory, The Shining, 2001: A Space Odyssey). Part III provides a thorough case study of Eyes Wide Shut, with four very different essays focusing on the film's use of sound, its representation of gender, its carnivalesque qualities, and its phenomenological nature. Finally, Part IV discusses Kubrick's ongoing legacy and his impact on contemporary filmmakers. Instructors considering this book for use in a course may request an examination copy here.

'Like a master attorney, Jens Amberts has marshaled an abundance of virtually irrefutable evidence in making the case for the thesis of his brilliant book, Why an Afterlife Obviously Exists. Basing his argument on four fundamental facts about near-death experiences (NDEs), Amberts has written a book that every serious student of NDEs, and especially skeptics, should be sure to read. On finishing it, I doubt any reader will not be convinced that death is not a dead end.' Kenneth Ring, Ph.D., Professor Emeritus of Psychology, University of Connecticut, author of Lessons from the Light Why an Afterlife Obviously Exists is a philosophical argument demonstrating why the existence of an afterlife is beyond astronomically likely and hence empirically certain. It explains how we have every rational reason to think that people who have near-death experiences are not only telling the truth, but the book also argues that near-death experiencers are thoroughly justified in knowing that they visited the actual afterlife.

• Provides an extensive inventory of beginning, intermediate, and advanced tools and practices for meaningful lucid dreamwork and shows how dreams can shape our conscious reality if we incorporate them into waking life • Offers guidance to help you overcome mental or physical obstacles, including ways to stop sleep paralysis • Examines supplements to aid lucid dreaming practice and increase the vividness and recall of dreams Dreams offer a gateway into our psyche. Through lucid dreaming--when you have conscious awareness during sleep--you can access and interact with the subconscious mind for greater self-awareness, personal development, and transformation. In this step-by-step guide to dreamwork, Lee Adams provides tools and techniques for encouraging, remembering, and using lucid dreams for personal growth as well as how to have big dreams that leave a lasting impact. Beginning with an overview of the history of lucid dreaming, he shares tried-and-true foundational practices to get you started--practices for before sleep, during sleep, and after dreaming. Drawing upon Jungian depth psychology, recent research in neuroscience, and years of personal dream practice, Adams then offers an extensive inventory of intermediate and advanced methods to support meaningful dreamwork, such as the Wake Induced Lucid Dreams technique (WILD), where you fall asleep while conscious and transport your active awareness into a dream state. He also explores dream companions, symbols of the unconscious mind, dream interpretation, and working with the shadow side of the self. He examines how dreams can shape our conscious reality if we incorporate them or their symbols into waking life. He offers guidance to help you overcome any mental or physical obstacles you may encounter, including ways to stop sleep paralysis. He also examines supplements to aid lucid dreaming practice, improve dream recall, and increase the vividness of dreams, such as Alpha-GPC, 5-HTP, Silene undulata, Mugwort, the mushroom Lion’s Mane, and Galantamine. With this practical guide, you can ignite your mind’s capacity to wake up to your own dreams and restructure your world to be more attuned to your deeper self.

A FINANCIAL TIMES BOOK OF THE MONTH FROM THE WALL STREET JOURNAL: "Nothing Mr. Gilder says or writes is ever delivered at anything less than the fullest philosophical decibel... Mr. Gilder sounds less like a tech guru than a poet, and his words tumble out in a romantic cascade." “Google’s algorithms assume the world’s future is nothing more than the next moment in a random process. George Gilder shows how deep this assumption goes, what motivates people to make it, and why it’s wrong: the future depends on human action.” — Peter Thiel, founder of PayPal and Palantir Technologies and author of Zero to One: Notes on Startups, or How to Build the Future The Age of Google, built on big data and machine intelligence, has been an awesome era. But it’s coming to an end. In Life after Google, George Gilder—the peerless visionary of technology and culture—explains why Silicon Valley is suffering a nervous breakdown and what to expect as the post-Google age dawns. Google’s astonishing ability to “search and sort” attracts the entire world to its search engine and countless other goodies—videos, maps, email, calendars….And everything it offers is free, or so it seems. Instead of paying directly, users submit to advertising. The system of “aggregate and advertise” works—for a while—if you control an empire of data centers, but a market without prices strangles entrepreneurship and turns the Internet into a wasteland of ads. The crisis is not just economic. Even as advances in artificial intelligence induce delusions of omnipotence and transcendence, Silicon Valley has pretty much given up on security. The Internet firewalls supposedly protecting all those passwords and personal information have proved hopelessly permeable. The crisis cannot be solved within the current computer and network architecture. The future lies with the “cryptocosm”—the new architecture of the blockchain and its derivatives. Enabling cryptocurrencies such as bitcoin and ether, NEO and Hashgraph, it will provide the Internet a secure global payments system, ending the aggregate-and-advertise Age of Google. Silicon Valley, long dominated by a few giants, faces a “great unbundling,” which will disperse computer power and commerce and transform the economy and the Internet. Life after Google is almost here. For fans of "Wealth and Poverty," "Knowledge and Power," and "The Scandal of Money."