"Keith McCafferty is a top-notch, first-rate, can't-miss novelist." --C.J. Box, #1 New York Times bestselling author When scarecrows appear in the cliffs above Montana's famous Smith River and a little girl reports being chased by one in the night, state investigator Harold Little Feather is brought in to find the culprit. Are the menacing effigies related to a copper-mining project that threatens the purity of the Smith? That's Harold's initial suspicion, but his investigation takes an ominous turn when a decapitated body is found in the river. As Harold's search leads him back in time through the canyon's history, Sean Stranahan launches his raft upriver. He has been hired to guide a floating party that includes Clint McCaine, the manager of the mine project; Bart Trueblood, the president of “Save The Smith,” a grassroots organization devoted to stopping the project; and the documentarian filming their arguments. McCaine and Trueblood grew up on the Smith on neighboring ranches, and as they travel downstream, it’s revealed that the two share a past that runs much deeper and darker than their opposing viewpoints. The currents of the seemingly unrelated trips will soon flow together, and Stranahan's long-time love Sheriff Martha Ettinger will enter the fray as the boats hurtle toward a date with danger at a place called Table Rock. A Death in Eden is the seventh novel in the acclaimed Sean Stranahan mystery series.

Pitcairn Island was a tiny uninhabited Eden when, in January 1790, Fletcher Christian and eight sailors, together with six Polynesian men, twelve Tahitian women and one baby, landed from HMS Bounty. There they burned their boat, thus eliminating any chance of a voluntary return to the known world. Their disappearance was to remain a mystery for twenty years. This book discusses the purposes of the Bounty’s voyage, the mutiny and its consequences, but goes further than any previous publications, to relate the gripping drama of subsequent events on Pitcairn - of the fifteen men who landed on the island, only one was alive when they were discovered, twelve had been brutally murdered by their companions and one had commited suicide. The role of the women in shaping events on the island, and their input into the unique identity of the community, is fully considered for the first time. Their support for the men as rival groups-Tahitians or Europeans-or their concern for individuals largely decided which men lived and died, while the women themselves commited some of the murders. Conflicts over property, race and gender brought this group close to total destruction. But out of the clashes of cultures and individual wills between European mutineers and Pacific islanders came, in a brief space of time, the new community of ’Pitcairn Islanders’: a thriving society based on progressive laws relating to sexual equality and the environment, with significant resonances for the reader some two centuries later.

The fascinating story of a trial that opened a window onto the century-long battle to control nature in the national parks. When twenty-five-year-old Harry Walker was killed by a bear in Yellowstone Park in 1972, the civil trial prompted by his death became a proxy for bigger questions about American wilderness management that had been boiling for a century. At immediate issue was whether the Park Service should have done more to keep bears away from humans, but what was revealed as the trial unfolded was just how fruitless our efforts to regulate nature in the parks had always been. The proceedings drew to the witness stand some of the most important figures in twentieth century wilderness management, including the eminent zoologist A. Starker Leopold, who had produced a landmark conservationist document in the 1950s, and all-American twin researchers John and Frank Craighead, who ran groundbreaking bear studies at Yellowstone. Their testimony would help decide whether the government owed the Walker family restitution for Harry's death, but it would also illuminate decades of patchwork efforts to preserve an idea of nature that had never existed in the first place. In this remarkable excavation of American environmental history, nature writer and former park ranger Jordan Fisher Smith uses Harry Walker's story to tell the larger narrative of the futile, sometimes fatal, attempts to remake wilderness in the name of preserving it. Tracing a course from the founding of the national parks through the tangled twentieth-century growth of the conservationist movement, Smith gives the lie to the portrayal of national parks as Edenic wonderlands unspoiled until the arrival of Europeans, and shows how virtually every attempt to manage nature in the parks has only created cascading effects that require even more management. Moving across time and between Yellowstone, Yosemite, and Glacier national parks, Engineering Eden shows how efforts at wilderness management have always been undone by one fundamental problem--that the idea of what is "wild" dissolves as soon as we begin to examine it, leaving us with little framework to say what wilderness should look like and which human interventions are acceptable in trying to preserve it. In the tradition of John McPhee's The Control of Nature and Alan Burdick's Out of Eden, Jordan Fisher Smith has produced a powerful work of popular science and environmental history, grappling with critical issues that we have even now yet to resolve.

La 4e de couverture indique : "In this book, Chris W. Lee provides a text-critical analysis of the divine death warning in Genesis 2:16-17 in its original context and traces the history of its reception and interpretation within biblical and non-biblical Second Temple Jewish Literature"

A literary investigation by "one of the most powerful American writers at work today" [Annie Proulx] of a story that riveted the nation: how an accomplished, world-traveled fashion writer who had retreated to a simpler life as a single mother on Cape Cod became the victim of a brutal, still-unsolved murder. On the surface, Christa Worthington’s life had the appearance of privilege and comfort. She was the granddaughter of prominent New Yorkers. Her sparkling journalism earned the fashion world’s respect. But she had turned her back on a glamorous career and begun living in the remote Cape Cod town where she had summered as a child. When she was found murdered in Truro, Massachusetts, just after New Year’s Day in 2002, her toddler daughter clinging to her side, her violent death brought to the surface the many unspoken mysteries of her life. Invisible Eden is the deeply felt story of a career woman's attempt to start over and reinvent her life away from the fashion circles of New York and Paris only to have an out-of-wedlock child with a local fisherman, forge a life as a single mother, and meet a violent end. Brilliantly portraying Christa’s hunger for belonging and her struggle for survival as a first-time mother, Flook searingly evokes her search for a safe haven, her many tumultuous relationships, and the evidence linking family, strangers, lovers, suspects, and innocents to the tragedy that both shocked a seaside town on Cape Cod and horrified the nation. Flook intricately maps Christa's charged life before her death and follows the first year of the murder investigation with the help of the district attorney who is in an election battle even as he searches for the killer. At the same time, Invisible Eden captures the Cape's haunted landscape, class stratifications, and never-ending battles between its weathy summer residents and its hardscrabble working families who together form a backdrop for a powerful chronicle of love and murder. An edgy and compelling portrait of a woman's tragic journey, Invisible Eden is a mesmerizing true story.

“Patiently, and unflinchingly, Ackerman is becoming one of the great poet laureates of America’s tragic adventurism across the globe.” —Pico Iyer Eden lies in a hospital bed, unable to move or speak. His wife Mary spends every day on the sofa in his room. We see them through the eyes of Eden’s best friend, a fellow Marine who didn’t make it back home—and who must relive the secrets held between all three of them as he waits for Eden to finally, mercifully die and join him in whatever comes after. A breathtakingly spare and shattering novel that explores the unseen aftereffects—and unacknowledged casualties—of war, Waiting for Eden is a piercingly insightful, deeply felt meditation on loyalty, friendship, betrayal, and love. “The Tim O’Brien of our era.” —Vogue “Devastating.” —The Wall Street Journal “Haunting. . . . Daring.” —The Boston Globe “Heart-wrenching.” —NPR

First published 1956. When Cressida Lucy Barclay rents a flat in an old London house she discovers a mystery concerning a dead girl.