Delving into Brazil's baroque past, Peter Robb writes about its history of slavery and the richly multicultural but disturbed society that was left in its wake when the practice was abolished in the late nineteenth century. Even today, Brazil is a nation of almost unimaginable distance between its wealthy and its poor, a place of extraordinary levels of crime and violence. It is also one of the most beautiful and seductive places on earth. Using the art, food and the books of its great nineteenth-century writer, Machado de Assis, Robb takes us on a journey into a world like Conrad's Nostromo. A world so absurdly dramatic, like the current president Lula's fight for power, that it could have come from one of the country's immensely popular TV soap operas, a world where resolution is often only provided by death. Like all the best travel writing, A Death in Brazil immerses you deep into the heart of a fascinating country.

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

"...Tobin astutely looks at the varying possibilities that would have led to Gatti’s death. Such an approach intelligently and respectfully piques interest in a real-life mystery that has left Gatti’s fans and family in need of both solace and satisfactory answers."—Kirkus Reviews "[Tobin is] an intelligent writer and a thoughtful person, tender even, who writes with authority...I know he’s invited me to a place I’d not have accessed without him."—Bart Barry, 15rounds.com Arturo "Thunder" Gatti hung up his gloves in 2007, closing the book on a boxing career that bordered on the mythical. At long last, he seemed ready to leave the business of blood behind for a long, happy life outside the ring. His retirement was celebrated—boxing’s modern gladiator had earned his freedom. Two years later, he was gone—found dead in a hotel in Brazil under mysterious circumstances. He was only thirty-seven years old. Did he commit suicide? Or was he killed by his new wife? In Killed in Brazil?, Jimmy Tobin recounts the dramatic events surrounding Gatti's tragic demise and shines a light on what may have happened on that fateful night. Killed in Brazil is the fourth in the Hamilcar Noir series. Hamilcar Noir is "Hard-Hitting True Crime" that blends boxing and true crime, featuring riveting stories captured in high-quality prose, with cover art inspired by classic pulp novels.

"The book offers an interdisciplinary qualitative study of the history of policing in Brazil and its colonial underpinnings, providing theoretical accounts of the relationship between biopolitics, space, and race, and post-colonial/decolonial work on the state, violence, and the production of disposable political subjects. Focused empirically on contemporary (1985-2015) police killings and disappearances in favelas, particularly in Rio de Janeiro, the books argues that the invisibility of this phenomenon is the product of a colonial mindset - one that has persisted throughout Brazil's experience of both dictatorship and re-democratisation and is traceable to the legacies of the Portuguese empire and the plantation system implemented. Analysing the development of the police as a colonial mechanism of social control, Villenave shows how the "war on drugs" reproduces this same colonial logic and renders some, overwhelmingly black, lives disposable and thus vulnerable to unchecked police brutality and death. It will be of interest to students and scholars of international politics and also contributes to critical security studies, postcolonial and de-colonial thought, global politics, the politics of Latin America and political geography"--

This award-winning social history of death and funeral rites during the early decades of Brazil's independence from Portugal focuses on the Cemiterada movement in Salvador, capital of the province of Bahia. The book opens with a lively account of the popular riot that ensued when, in 1836, the government condemned the traditional burial of bodies inside Catholic church buildings and granted a private company a monopoly over burials. This episode is used by Reis to examine the customs of death and burial in Bahian society, explore the economic and religious conflicts behind the move for funerary reforms and the maintenance of traditional rituals of dying, and understand how people dealt with new concerns sparked by modernization and science. Viewing culture within its social context, he illuminates the commonalities and differences that shaped death and its rituals for rich and poor, men and women, slaves and masters, adults and children, foreigners and Brazilians. This translation makes the book, originally published in Brazil in 1993, available in English for the first time.

'Like everyone I went to Brazil to get away…' So begins this collage of travel, history, culture and personal reminiscence from the author of Midnight in Sicily and M. Delving into Brazil's baroque past, Peter Robb writes about its history of slavery and the richly multicultural but disturbed society that was left in its wake when the practice was abolished in the late nineteenth century. Even today, Brazil is a nation of almost unimaginable distance between its wealthy and its poor, a place of extraordinary levels of crime and violence. It is also one of the most beautiful and seductive places on earth. Using the art and the food, and the books of its great nineteenth century writer, Machado de Assis, Robb takes us on a journey into a world like Conrad's Nostromo. A world so absurdly dramatic, like the current president Lula's fight for power, that it could have come from one of the country's immensely popular TV soap operas, a world where resolution is often only provided by death. Like all the best travel writing, A Death in Brazil immerses you deep into the heart of a fascinating country. Vivid, obsessive and intelligent, this is an utterly enthralling account.