"This is an extraordinary and ground-breaking book, a wonderfully creative mix of fact and theory, imagination and drama…The startling origin of the complex 'intention exception' to the hearsay evidence rule becomes canvas on which a grand and marvelously detailed tale is told. This is modern narrative at its best: a marriage of spectacular writing and hard, documented truth presented by a brilliant author who doubles as a gifted and fastidious legal scholar and historian." —Andrew Popper, American University One winter night in 1879, at a lonely Kansas campsite near Crooked Creek, a man was shot to death. The dead man’s traveling companion identified him as John Hillmon, a cowboy from Lawrence who had been attempting to carve out a life on the blustery prairie. The case might have been soon forgotten and the apparent widow, Sallie Hillmon, left to mourn—except for the $25,000 life insurance policies Hillmon had taken out shortly before his departure. The insurance companies refused to pay on the policies, claiming that the dead man was not John Hillmon, and Sallie was forced to take them to court in a case that would reach the Supreme Court twice. The companies’ case rested on a crucial piece of evidence: a faded love letter written by a disappeared cigarmaker, declaring his intent to travel westward with a “man named Hillmon.” In A Death at Crooked Creek, Marianne Wesson re-examines the long-neglected evidence in the case of the Kansas cowboy and his wife, recreating the court scenes that led to a significant Supreme Court ruling on the admissibility of hearsay evidence. Wesson employs modern forensic methods to examine the body of the dead man, attempting to determine his true identity and finally put this fascinating mystery to rest. This engaging and vividly imagined work combines the drama, intrigue, and emotion of excellent storytelling with cutting-edge forensic investigation techniques and legal theory. Wesson’s superbly imagined A Death at Crooked Creek will have general readers, history buffs, and legal scholars alike wondering whether history, and the Justices, may have misunderstood altogether the events at that bleak winter campsite. Marianne Wesson is Professor of Law and President’s Teaching Scholar, University of Colorado Law School. She is the author of best-selling and prize-winning legal novels including Render up the Body, A Suggestion of Death, and Chilling Effect. She lives in a Colorado mountain valley with her husband, llamas, dogs, and visiting wildlife.

This book mixes fact and theory to explore the startling origin of the 'intention exception' to the hearsay evidence rule.

Two Arkansas teenagers are run over by a train. The state medical examiner rules they smoked themselves into "a marijuana-induced stupor" before lying down, side by side on the tracks. He rules the deaths accidental. Case closed. Except that when the parents of one get the bodies exhumed, new autopsies point to murder. That launches the mom of one of the boys on a journey that will lead her into a dark world of drugs and political corruption. In 2001, after this book's release, a U.S. court of appeals wrote: "The record in this case reads like a John Grisham novel." Shockingly, this story is true.

Full of emotion and suspense, Crooked River is an inventive and atmospheric story about family and friendship, good and evil, secrets and lies, grief and forgiveness Where should I start? With Mom's funeral? Or a week earlier on the Fourth of July, the day she died? Or should I skip all that stuff and get straight to the part where Ollie and I just wanted to go swimming and pretend our lives were ordinary again, but when we got down to the river we found another dead woman instead? Still grieving over the sudden death of their mother, fifteen-year-old Sam McAlister and her ten-year-old sister, Ollie, move from the comforts of Eugene to rural Oregon to live in a meadow in a teepee under the stars with Bear, their reclusive beekeeper father. But soon after they arrive in Terrebone, a young woman is found dead floating in Crooked River and the police arrest their eccentric father for the murder. He is not evil. I am not good. We are the same: broken and put back together again. Sam knows that Bear is not a killer, even though the evidence points to his guilt—including information that she and Ollie have uncovered. Filled with remorse and refusing to accept that her father could have hurt anyone, Sam embarks on a desperate hunt to save him and keep her damaged family together. They had mysteriously lost Bear once before and Sam is terrified they will lose him again. Only this time they won't ever get him back. She needs Ollie to help her, but Ollie has not spoken a word since their mother's death. I see things no one else does. I see them there and wish I didn't. I want to tell and I can't. Ollie, too, knows that Bear is innocent. The Shimmering have told her so. One followed her home from her mom's funeral and continues to hover, a spectrum of colors—pink and rose red, sky blue and honey gold. Now another, coiled and hissing, is following Sam. Both spirits warn Ollie: the real killer is out there, waiting. Somehow, she must warn her sister. But Ollie worries that if she tries to speak—even to write—the Shimmering will slip inside her, take control, and never leave. Sam and Ollie must find the truth quickly—a search that will lead them to unexpected secrets and terrible lies—because the danger is closer to them than either girl knows. Told in Sam's and Ollie's vibrant voices, Crooked River is a family story, a coming-of-age story, a ghost story, and a psychological mystery as haunting as the best Southern gothic fiction that will touch your heart and grip you until the final page.

"Blood Meridian" finds "A Farewell to Arms" in this short and beautiful novel set in 1890s Utah.

Chloe Humphrey, 24, is a fish out of water as the computer whiz living in Ohio's Amish Country. She's stretched even further when a local accident turns to murder, and she's in a position to solve the case.

For fans of Laura Childs and Amanda Flowers, it’s teatime in Raven Creek—but a murder at the The Earl’s Study sets the stage for an intoxicating brew of small-town chicanery with a hint of the supernatural. Phoebe Winchester’s beloved aunt Eudora has a taste for adventure—and a knack for making magical tea. It’s even rumored that she just might be a witch. So when Eudora passes away and leaves everything to her niece—her Victorian mansion, her bookshop/tea store, The Earl’s Study, and one very chubby orange cat named Bob—Phoebe gets more than she bargained for. And she knows she’s in deep when a dead man is found on the shop’s back step, apparently killed while trying to break in. Two suspects immediately emerge among the townspeople of Raven Creek, Washington. There’s village busybody Dierdre Miller, who seems desperate to buy Eudora’s house, and handsome PI Rich, one of Phoebe’s childhood friends—but how well does she really know him after all these years apart? Phoebe knows she should leave it to the professionals, but as she starts to dig into the underbelly of Raven Creek, she begins to uncover the truth about Eudora. What’s more, her aunt might not have been the only witch in the family, as Phoebe soon discovers she has unique and unexpected gifts of her own. Now, it’s just a matter of putting her newfound power to the test and cast a spell that could catch a killer.