A DEAD MAN'S APARTMENT. Lonnie, a married but lonely truck driver, and Nickie, his mistress, a married but lonely hardware store clerk, meet twice a week in an apartment to talk and kiss. They have chosen a day to tell their spouses they are leaving them, but when the day comes, there is a message on Lonnie's answering machine: "You're a dead man." Lonnie wants to put off telling their spouses until he finds out who is after him, but when Nickie's brother, Al, reveals that Lonnie left his own message on the machine, Lonnie admits to being too scared to make the big move. Lonnie loses his secret life, but he realizes he loves his wife and that all this is for the best anyway. (2 men, 2 women.) ROSEMARY WITH GINGER. Two sisters meet in a closed-down diner and slowly reveal the strife they're experiencing at home: Rosemary, an alcoholic, is about to lose custody of her children, the pain of which leads her to drink more and to tolerate an abusive relationship with her boyfriend; Ginger finds herself in a loveless marriage, but more important, she needs to explain to Rosemary why she divulged Rosemary's alcoholism to her ex-husband, thus creating the custody battle. The sisters wrangle, accuse and attack, but mostly discover that, without each other, they have nothing. In the end, some hope is evident as the sisters rediscover their common bonds. (2 women.) FACE DIVIDED. In the emergency room of a Providence, Rhode Island hospital, Debbie waits for her husband. Their daughter, Jess, has fallen down the basement steps. That, at least, is what she tells the nurses, and this is the story she's sticking to. When Freddie arrives, he angrily confronts Debbie about the telltale signs of childabuse that mark their daughter. Debbie refuses to admit the truth and desperately talks about their simple life together before they were married and how she wants things back the way they were. Freddie warns Debbie that they'll lose their daughter, but Debbie won't cooperate. In the end, Freddie goes along with her story, all the while knowing that the state will do what it has to do and that Debbie will go on living in a dream world. (1 man, 2 women.)

What if you woke up to discover everyone thought you were somebody else? Pregnant and abandoned, all Helen Georgesson has is five dollars and a one-way ticket to San Francisco. Then she is involved in a train crash, and regains consciousness only to discover that she has given birth - and, in a bizarre twist of fate, has been mistaken for somebody else. Helen decides to claim this opportunity to make a new life for herself and her son. But eventually her past will catch up with her, in terrible ways...

A “dissident of the gender-sex binary system” reflects on gender transitioning and political and cultural transitions in technoscientific capitalism. Uranus, the frozen giant, is the coldest planet in the solar system as well as a deity in Greek mythology. It is also the inspiration for uranism, a concept coined by the writer Karl Heinrich Ulrich in 1864 to define the “third sex” and the rights of those who “love differently.” Following Ulrich, Paul B. Preciado dreams of an apartment on Uranus where he might live beyond existing power, gender and racial strictures invented by modernity. “My trans condition is a new form of uranism,” he writes. “I am not a man. I am not a woman. I am not heterosexual. I am not homosexual. I am not bisexual. I am a dissident of the gender-sex binary system. I am the multiplicity of the cosmos trapped in a binary political and epistemological system, shouting in front of you. I am a uranist confined inside the limits of technoscientific capitalism.” This book recounts Preciado's transformation from Beatriz into Paul B., but it is not only an account of gender transitioning. Preciado also considers political, cultural, and sexual transition, reflecting on issues that range from the rise of neo-fascism in Europe to the technological appropriation of the uterus, from the harassment of trans children to the role museums might play in the cultural revolution to come. An Apartment on Uranus is a bold, transgressive, and necessary book.

The discovery of a woman’s body and a link to the events of 9/11 take Detective Superintendent Roy Grace around the world in Dead Man’s Footsteps, by award-winning crime author Peter James. Now a major ITV series, Grace, adapted for television by screenwriter Russell Lewis and starring John Simm. Amid the tragic mayhem of the morning of 9/11, failed Brighton businessman and ne’er-do-well Ronnie Wilson sees the chance of a lifeline: to shed his debts, disappear and reinvent himself in another country. Six years later the discovery of the skeletal remains of a woman’s body in a storm drain in Brighton leads Roy Grace on an enquiry spanning the globe, and into a desperate race against time to save the life of a woman being hunted down like an animal in the streets and alleys of Brighton. Although the Roy Grace novels can be read in any order, Dead Man’s Footsteps is the fourth gripping title in the bestselling series. Enjoy more of the Brighton detective’s investigations in Dead Tomorrow and Dead Like You. Now a major ITV series, Grace, starring John Simm.

THE STORIES: NORTH OF PROVIDENCE is a painful domestic crisis between brother and sister, uncovering old wounds on the last day of their father's life. (1 man, 1 woman.) DOLORES is the story of two sisters drawn together because of domestic violenc

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.