A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.

As intimated by the subtitle, 'Genesis Foundations for a Covenantal Worldview', the immediate literary focus of this study is the book of Genesis and its account of the formative ages in the eschatological movement of the kingdom of God from creation to consummation. As also indicated by the subtitle, our biblical-theological commentary on Genesis is designed to uncover the foundations of God's covenantally administered kingdom with its major historical developments and its institutional structures and functions. In this way 'Kingdom Prologue' seeks to provide an introductory sketch of the overall shape of the biblical worldview and the character of biblical religion.