First Published in 1987. Japan’s surrender on 15 August 1945 was an unprecedented event in Japanese history. The shift from the life of hunger to the life of saturation that took place between 1945 and 1980 has brought about a great change in life style. The significance of this change will be a subject of reassessment for many years to come. This books presents an outline of such a change in the domain of mass culture, a sector of Japanese culture most indicative of the change after the defeat and the subsequent economic recovery.

First Published in 1987. Japan’s surrender on 15 August 1945 was an unprecedented event in Japanese history. The shift from the life of hunger to the life of saturation that took place between 1945 and 1980 has brought about a great change in life style. The significance of this change will be a subject of reassessment for many years to come. This books presents an outline of such a change in the domain of mass culture, a sector of Japanese culture most indicative of the change after the defeat and the subsequent economic recovery.

Japan and the United States became close political allies so quickly after the end of World War II, that it seemed as though the two countries had easily forgotten the war they had fought. Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories. Igarashi argues that Japan's nationhood survived the war's destruction in part through a popular culture that expressed memories of loss and devastation more readily than political discourse ever could. He shows how the desire to represent the past motivated Japan's cultural productions in the first twenty-five years of the postwar period. Japanese war experiences were often described through narrative devices that downplayed the war's disruptive effects on Japan's history. Rather than treat these narratives as obstacles to historical inquiry, Igarashi reads them along with counter-narratives that attempted to register the original impact of the war. He traces the tensions between remembering and forgetting by focusing on the body as the central site for Japan's production of the past. This approach leads to fascinating discussions of such diverse topics as the use of the atomic bomb, hygiene policies under the U.S. occupation, the monstrous body of Godzilla, the first Western professional wrestling matches in Japan, the transformation of Tokyo and the athletic body for the 1964 Tokyo Olympics, and the writer Yukio Mishima's dramatic suicide, while providing a fresh critical perspective on the war legacy of Japan.

No detailed description available for "Art and Engagement in Early Postwar Japan".

This book explores the practice of censorship in modern Japan, focusing on the most celebrated censorship trials of literature, film, and manga in the post WW II period.

An examination of the cultural aspects of U.S.-Japan relations during the postwar Occupation and the early Cold War

"This book is a political and cultural history of the early postwar Japan aiming at exploring how the perception and cultural values of everyday life in the country changed along with the rise of the kasutori culture. Such a process was closely tied with both a refusal of the samurai culture and the interwar debate on modernity, and it resulted in a decadent way of life, exemplified by intellectuals such as Sakaguchi Ango. It depicts a short-lived radical cultural and social alternative, one that forced people to rethink their relationship to the kokutai, modernity, social roles, daily practices, and the production of knowledge. The subjectivity and daily practices in those years were more important in shaping the society and cultural identities of the Japanese than the new public ideology of the nation. This challenges some Euro-American historical notions that the new private sphere has emerged in Japan as an effect of the country's Americanization, rather than from within it. This work looks at the immediate aftermath of WWII from the perspective of Japan, but also try to rethink Westernization in the light of its global appropriation. This volume it is not only addressed to specialists of Japanese or Asian history, but it will also attract historians of the U.S., readers from political and intellectual history, cultural studies, and historiography in general"--