This small but powerful book initiated a major shift in literary theory and method when it was first published in 1983. Starting from a critical inquiry into certain specialized issues in the practice of editing, McGann gradually unfolds an argument for a general revaluation of the grounds of literary study as a whole.

This work initiated a major shift in literary theory and method when it was first published in 1983. Starting from a critical inquiry into certain specialised issues in the practice of editing, A Critique of Modern Textual Criticism gradually unfolds an argument for a general revaluation of the grounds of literary study as a whole. McGann's point of departure is the controversy he opens with the once-dominant line of traditional textual and editorial scholarships as it evolved through the fundamental work of W.W. Greg, Fredson Bowers and G. Thomas Transelle. In departing from the canonical approach to the technical question of copy-text, McGann argues that theory of text must ground itself in a recovery of the entire productive and reproductive history of the text. His book proposes combining literary criticism and bibliographical scholarship with social, institutional and collaborative models of creation and production.

Over the past decade literary critic and editor Jerome McGann has developed a theory of textuality based in writing and production rather than in reading and interpretation. These new essays extend his investigations of the instability of the physical text. McGann shows how every text enters the world under socio-historical conditions that set the stage for a ceaseless process of textual development and mutation. Arguing that textuality is a matter of inscription and articulation, he explores texts as material and social phenomena, as particular kinds of acts. McGann links his study to contextual and institutional studies of literary works as they are generated over time by authors, editors, typographers, book designers, marketing planners, and other publishing agents. This enables him to examine issues of textual stability and instability in the arenas of textual production and reproduction. Drawing on literary examples from the past two centuries--including works by Byron, Blake, Morris, Yeats, Joyce, and especially Pound--McGann applies his theory to key problems facing anyone who studies texts and textuality.

These essays challenge the positivist, patriarchal assumptions of earlier approaches to textual criticism.

A critical edition of a classic work by the renowned philosopher George Santayana evaluating key movements in American intellectual history. Winds of Doctrine presents six essays by the internationally recognized critic and philosopher George Santayana. The essays, edited by David E. Spiech, Martin A. Coleman, and Faedra Lazar Weiss, and introduced by Paul Forster, address the broad sweep of intellectual trends—or, as the title suggests, the ever-changing winds of thought—of the Spanish-born American thinker’s time. The topics range from the secularization of American culture to the rise of religious modernism to the “genteel tradition” in American philosophy, the subject of Santayana’s final lecture in America and perhaps his best known essay. The original Winds of Doctrine, published in 1913, was the first book published after Santayana’s 1912 departure for Europe. Santayana had felt stifled at Harvard for some time, and his long-contemplated resignation from academia released him from previous obligations and allowed him a new freedom to think and write. Much later, Santayana remarked on the significance of that choice to step away: “In Winds of Doctrine and my subsequent books, a reader of my earlier writings may notice a certain change of climate. . . . It was not my technical philosophy that was principally affected, but rather the meaning and status of philosophy for my inner man.” An insightful document of American intellectual history, supplemented with annotations and rich textual commentary, Winds of Doctrine is a vital and engaging survey of the religious, political, philosophical, and literary trends of the twentieth century.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Aristotle's theory of eternal continuous motion and his argument from everlasting change and motion to the existence of an unmoved primary cause of motion, provided in book VIII of his Physics, is one of the most influential and persistent doctrines of ancient Greek philosophy. Nevertheless, the exact wording of Aristotle's discourse is doubtful and contentious at many places. The present critical edition of Ishaq ibn Hunayn's Arabic translation (9th c.) is supposed to replace the faulty edition by A. Badawi and aims at contributing to the clarification of these textual difficulties by means of a detailed collation of the Arabic text with the most important Greek manuscripts, supported by comprehensive Greek and Arabic glossaries.