The Memorandum is a remarkably witty assault on the madness of "efficiency" peculiar to total bureaucracy. In a large office, and unknown to the Managing Director, a new language called Ptydepe is installed as the official means of inter-office communication

Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.

With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provdies an anuthoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The alchemist ot The Talking Cure, the guide is both biogrpahically detailed and critically curent, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.

Virtually everything Vaclav Havel has ever written has acquired a new resonance, whether ironic, artistic, philosophical or political, since he became President of his country in 1989. This selection of his prose ranges in time from the early 1960s to his New Year message of 1990.

Revolves around the invention of a new bureaucratic language, Ptydepe, which is adopted by an organisation despite the fact that few employees seem to understand it.

More than any other public figure, VOclav Havel has reflected on the opportunities and dilemmas facing humankind as a result of the collapse of Communism. In VOclav Havel: Civic Responsibility in the Postmodern Age, James F. Pontuso argues that Havel's life as a dissident and political leader, his political philosophy, and his plays must be understood as connected to one another. Pontuso skillfully explores these connections and explains Havel's prescriptions for political life.

In 1977 the sixty-nine-year-old Czech philosopher Jan Patočka died from a brain hemorrhage following a series of interrogations by the Czechoslovak secret police. A student of Husserl and Heidegger, he had been arrested, along with young playwright Václav Havel, for publicly opposing the hypocrisy of the Czechoslovak Communist regime. Patočka had dedicated himself as a philosopher to laying the groundwork of what he termed a "life in truth." This book analyzes Patočka's philosophy and political thought and illuminates the synthesis in his work of Socratic philosophy and its injunction to "care for the soul." In bridging the gap, not only between Husserl and Heidegger, but also between postmodern and ancient philosophy, Patočka presents a model of democratic politics that is ethical without being metaphysical, and transcendental without being foundational.