Pablo Borla's marriage is reduced to confrontations with his wife over their daughter's rebellious ways and his firm builds only repellent office blocks destroying the fabric of old Buenos Aires. It all changes with the arrival of a young woman who brings to light a murder committed decades ago by those in his office. A murder everyone assumed was forgotten. Claudia Piñeiro, after working as a professional accountant, became a journalist, playwright and television scriptwriter and in 1992 won the prestigious Pléyade journalism award. She has more recently turned to fiction; All Yours (finalist for the 2003 Planeta Prize) and Thursday Night Widows.

After decades of occupation and creeping annexation, Israel has created an apartheid system in historic Palestine. Peace efforts have failed because of one hard truth: the best Israeli offers do not meet the minimum that a truly free Palestine would require--nor that international law would recognize. There are, however, widening cracks in Israel's traditional pillars of support for this policy, and in this book Ben White lays them out. Opposition to Israeli policies, he shows, are growing within Jewish communities and among Western progressives, while the rise of populist movements around the world has confused traditional party lines on the question and the Palestinian-led boycott campaign continues to gain momentum. Now, White argues, is the time to plot a course to avoid the mistakes of the past--to create a real way forward, and beyond apartheid, in Palestine.

The memorable and courageous story of nine teenagers in Little Rock, Arkansas in 1957 who helped "crack the wall" of segregation is clearly presented in this inspiring story.

Unleashed by ancient geologic forces, a magnitude 8.25 earthquake rocked San Francisco in the early hours of April 18, 1906. Less than a minute later, the city lay in ruins. Bestselling author Simon Winchester brings his inimitable storytelling abilities to this extraordinary event, exploring the legendary earthquake and fires that spread horror across San Francisco and northern California in 1906 as well as its startling impact on American history and, just as important, what science has recently revealed about the fascinating subterranean processes that produced it—and almost certainly will cause it to strike again.

"An agile novel written in a language perfectly pitched for the subject matter, a ruthless dissection of a fast decaying society"—José Saramago, Nobel Prize winner The English translation of hit novel Las Viudas de Los Jueves! “Piñeiro’s clever U.S. debut.. . illuminates the hypocrisies of the country's upper classes after 9/11.”—Publishers Weekly “Piñeiro is particularly skilful at exposing the social forces undermining Argentine society, and the fragility of personal relationships. We learn the surprising truth of the three men’s death in the final chapter; the build-up to it is riveting.”—The Times (London) "Piñeiro builds up tension through banal, domestic details and the accretion of despair in everyday marital and professional struggles. There may be bloody murder at the centre of this novel, but the dystopia portrayed is an indictment not solely of an assassin but of Argentina’s class structure and the willful blindness of its petty bourgeoisie."—Times Literary Supplement “A razor-sharp psychological and social portrait not only of Argentina, but of the afluent Western world as a whole.”—Rosa Montero Three bodies lie at the bottom of a swimming pool in a gated country estate near Buenos Aires. It's Thursday night at the magnificent Scaglia house. Behind the locked gates, shielded from the crime, poverty, and filth of the people on the streets, the Scaglias and their friends hide lives of infidelity, alcoholism, and abusive marriage. Claudia Piñeiro's novel eerily foreshadowed a criminal case that generated a scandal in the Argentine media. But this is more than a story about crime. The suspense is a byproduct of Piñeiro's hand at crafting a psychological portrait of a professional class that lives beyond its means and leads secret lives of deadly stress and despair. It takes place during the post-9/11 economic meltdown in Argentina, but it is a universal story that will resonate among credit-crunched readers of today. The film of Thursday Night Widows, by Argentine New Wave and award-winning director Marcelo Piñeyro is coming soon with trailers available online. Claudia Piñeiro was a journalist, playwright, and television scriptwriter and in 1992 won the prestigious Pléyade Annual Journalism Award. She has more recently turned to fiction and is the author of literary crime novels that are all bestsellers in Latin America and have been translated into four languages. This novel won the Clarin Prize for fiction and is her first title to be available in English.

“Not for nothing is Claudia Piñeiro Argentina’s most popular crime writer. Betty Boo is original, witty and hugely entertaining; it mixes murder with love, political power and journalism." Times-London "Those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don’t take the kinds of risks Piñeiro does." Booklist The fourth novel from Claudia Piñeiro, South America's best-selling crime novelist. When a renowned Buenos Aires industrialist is found dead at his home in an exclusive gated community called La Maravillosa, the novelist Nurit Iscar (once nicknamed Betty Boo owing to a resemblance to the cartoon character Betty Boop) is contracted by a former lover, the editor of a national newspaper, to cover the story. Nurit teams up with the paper's veteran, but now demoted, crime reporter. Soon they realize that they are falling in love, which complicates matters deliciously. The murder is no random crime but one in a series that goes to the heart of the establishment. Five members of the Argentine industrial and political elite, who all went to the same boarding-school, have died in apparently innocent circumstances. The Maravillosa murder is just the last in the series and those in power in Argentina are not about to allow all this brought to light. Too much is at stake.