"This tale of counterfeiting is a treat for everyone...a delightful history lesson...Admirable and altogether charming." -The Washington Post As Ben Tarnoff reminds us in this entertaining narrative history, get-rich-quick schemes are as old as America itself. Indeed, the speculative ethos that pervades Wall Street today, Tarnoff suggests, has its origins in the counterfeiters who first took advantage of America's turbulent economy. In A Counterfeiter's Paradise, Tarnoff chronicles the lives of three colorful counterfeiters who flourished in early America, from the colonial period to the Civil War. Driven by desire for fortune and fame, each counterfeiter cunningly manipulated the political and economic realities of his day. Through the tales of these three memorable hustlers, Tarnoff tells the larger tale of America's financial coming-of-age, from a patchwork of colonies to a powerful nation with a single currency.

Chronicles the lives of three colorful counterfeiters whose schemes reflected the culture of early America, describing their backgrounds and how they exploited period politics, economics and law enforcement to promote their operations.

Wide-ranging enough to encompass Buster Keaton, Charles Babbage, horses, and a man riding a bicycle while wearing a gas mask, "The Counterfeiters" is one of Hugh Kenner's greatest achievements. In this fascinating work of literary and cultural criticism, Kenner seeks the causes and outcomes of man's ability to simulate himself (a computer that can calculate quicker than we can) and his world (a mechanical duck that acts the same as a living one). This intertangling of art and science, of man and machine, of machine and art is at the heart of this book. He argues that the belief in art as a uniquely human expression is complicated and questioned by the prevalence of simulations--or "counterfeits"--in our culture. Kenner, with his characteristically accessible style and wit, brings together history, literature, science, and art to locate the personal in what is an increasingly counterfeit world.

Overeducated, unemployed, recently dumped, and depressed, the 38-year-old nameless narrator is a familiar American character, except she's Finnish. It is the 1980s, her married Russian lover has recently left her, and the narrator compulsively writes in her journal as she tries to put her life back together. Obsessed with omens, astrology, dreams, fortune-tellers, and other objects of the paranormal, the narrator is both funny and morose.

"This is the story of the Treasury Agent and how he has protected you and your Government since 1789"--Inside cover

An incisive account of the crucial role money played in the formation and development of British North America. Promise to Pay follows America’s first paper money—the “bills of credit” of British North America—from its seventeenth-century origins as a means of war finance to its pivotal role in catalyzing the American Revolution. Katie A. Moore combs through treasury records, account books, and the bills themselves to tell a new story of money’s origins that challenges economic orthodoxy and mainstream histories. Promise to Pay shows how colonial governments imposed paper bills on settler communities through existing labor and kinship relations, their value secured by thousands of individual claims on the public purse—debts—and the state’s promise to take them back as payment for taxes owed. Born into a world of hierarchy and deference, early American money eroded old social ties and created new asymmetries of power, functioning simultaneously as a ticket to the world of goods, a lifeline for those on the margins, and a tool of imperial domination. Grounded in sustained engagement with scholarship from multiple disciplines, Promise to Pay breathes new life into old debates and offers an incisive account of the centrality of money in the politics and conflicts of empire, community, and everyday life.