In 1826 Angela Veronese, a gardener’s daughter, wrote and published the first modern autobiography by an Italian woman. Veronese’s account focuses on her unique experience as a peasant girl who came of age among the Venetian elite, and details how she attained a certain renown in and out of Italy by improvising, writing, and publishing her own lyrics. Courting Celebrity is a bilingual annotated edition of Veronese’s autobiography. To better elucidate Veronese’s thinking, the book includes the autobiographical writing of another contemporary Italian poet, Teresa Bandettini, a well-known Tuscan poet-improviser. The book offers a substantial sample of Veronese’s poems, translated and in the original. These compositions, together with detailed bibliographical documentation, point to the success of Veronese’s autobiographical enterprise and offer an unparalleled view of both high society and popular culture at the time. Courting Celebrity illustrates women’s practice in two key literary genres, poetry and autobiography, and illuminates the strategies of women’s self-fashioning and pursuit of celebrity.

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CHAPTER I I was about to say that I had known the Celebrity from the time he wore kilts. But I see I shall have to amend that, because he was not a celebrity then, nor, indeed, did he achieve fame until some time after I had left New York for the West. In the old days, to my commonplace and unobserving mind, he gave no evidences of genius whatsoever. He never read me any of his manuscripts, which I can safely say he would have done had he written any at that time, and therefore my lack of detection of his promise may in some degree be pardoned. But he had then none of the oddities and mannerisms which I hold to be inseparable from genius, and which struck my attention in after days when I came in contact with the Celebrity. Hence I am constrained to the belief that his eccentricity must have arrived with his genius, and both after the age of twenty-five. Far be it from me to question the talents of one upon whose head has been set the laurel of fame! When I knew him he was a young man without frills or foibles, with an excellent head for business. He was starting in to practise law in a downtown office with the intention of becoming a great corporation lawyer. He used to drop into my chambers once in a while to smoke, and was first-rate company. When I gave a dinner there was generally a cover laid for him. I liked the man for his own sake, and even had he promised to turn out a celebrity it would have had no weight with me. I look upon notoriety with the same indifference as on the buttons on a man's shirt-front, or the crest on his note-paper.

Celebrity culture has a pervasive presence in our everyday lives – perhaps more so than ever before. It shapes not simply the production and consumption of media content but also the social values through which we experience the world. This collection analyses this phenomenon, bringing together essays which explore celebrity across a range of media, cultural and political contexts. The authors investigate topics such as the intimacy of fame, political celebrity, stardom in American ‘quality’ television (Sarah Jessica Parker), celebrity 'reality' TV (I’m a Celebrity ... Get Me Out of Here!), the circulation of the porn star, the gallery film (David/David Beckham), the concept of cartoon celebrity (The Simpsons), fandom and celebrity (k.d. lang, *NSYNC), celebrity in the tabloid press, celebrity magazines (heat, Celebrity Skins), the fame of the serial killer and narratives of mental illness in celebrity culture. The collection is organized into four themed sections: Fame Now broadly examines the contemporary contours of fame as they course through new media sites (such as 'reality' TV and the internet) and different social, cultural and political spaces. Fame Body attempts to situate the star or celebrity body at the centre of the production, circulation and consumption of contemporary fame. Fame Simulation considers the increasingly strained relationship between celebrity and artifice and ‘authenticity’. Fame Damage looks at the way the representation of fame is bound up with auto-destructive tendencies or dissolution.

This directory gives the reader mailing addresses of over 20,000 celebrities in the fields of entertainment, sports, business & politics. In addition, this directory gives biographical data such as birthdays, charities, hobbies and awards of the celebrities listed. Also included are question and answers to common letter writing techniques for the autograph collector, fundraiser or anyone wishing to contact a celebrity.