A wrongfully imprisoned storyteller spins stories from his jail cell that just might have the power to save him—and take down a corrupt government. Arrested on accusations of witchcraft and treason, Chant finds himself trapped in a cold, filthy jail cell in a foreign land. With only his advocate, the unhelpful and uninterested Consanza, he quickly finds himself cast as a bargaining chip in a brewing battle between the five rulers of this small, backwards, and petty nation. Or, at least, that's how he would tell the story. In truth, Chant has little idea of what is happening outside the walls of his cell, but he must quickly start to unravel the puzzle of his imprisonment before they execute him for his alleged crimes. But Chant is no witch—he is a member of a rare and obscure order of wandering storytellers. With no country to call his home, and no people to claim as his own, all Chant has is his wits and his apprentice, a lad more interested in wooing handsome shepherds than learning the ways of the world. And yet, he has one great power: his stories in the ears of the rulers determined to prosecute him for betraying a nation he knows next to nothing about. The tales he tells will topple the Queens of Nuryevet and just maybe, save his life.

A wrongfully imprisoned storyteller spins stories from his jail cell that just might have the power to save him—and take down a corrupt government. Arrested on accusations of witchcraft and treason, Chant finds himself trapped in a cold, filthy jail cell in a foreign land. With only his advocate, the unhelpful and uninterested Consanza, he quickly finds himself cast as a bargaining chip in a brewing battle between the five rulers of this small, backwards, and petty nation. Or, at least, that's how he would tell the story. In truth, Chant has little idea of what is happening outside the walls of his cell, but he must quickly start to unravel the puzzle of his imprisonment before they execute him for his alleged crimes. But Chant is no witch—he is a member of a rare and obscure order of wandering storytellers. With no country to call his home, and no people to claim as his own, all Chant has is his wits and his apprentice, a lad more interested in wooing handsome shepherds than learning the ways of the world. And yet, he has one great power: his stories in the ears of the rulers determined to prosecute him for betraying a nation he knows next to nothing about. The tales he tells will topple the Queens of Nuryevet and just maybe, save his life.

A young storyteller must embrace his own skills—and the power of stories—to save a nation from economic ruin, in the standalone sequel to A Conspiracy of Truths. Three years ago, Ylfing watched his master-Chant tear a nation apart with nothing but the words on his tongue. Now Ylfing is all alone in a new realm, brokenhearted and grieving—but a Chant in his own right, employed as a translator to a wealthy merchant of luxury goods, Sterre de Waeyer. But Ylfing has been struggling to come to terms with what his master did, with the audiences he’s been alienated from, and with the stories he can no longer trust himself to tell. That is, until Ylfing’s employer finds out what he is, what he does, and what he knows. At Sterre’s command, Ylfing begins telling stories once more, fanning the city into a mania for a few shipments of an exotic flower. The prices skyrocket, but when disaster looms, Ylfing must face what he has done and decide who he wants to be: a man who walks away and lets the city shatter, as his master did? Or will he embrace the power of story to save ten thousand lives? With a memorable cast of characters, starring a fan-favorite from A Conspiracy of Truths, and a timely message, Choir of Lies reminds us that the words we wield can bring destruction—or salvation.

There is a war on truth. And the liars are winning. There is an increasingly large number of weapons in the arsenal of the rich, the powerful and the elected to prevent the truth from coming out — to bury it, warp it, twist it to suit their purposes. Truthteller reveals how governments and corporations have covered-up mass murder, corruption and catastrophe. In a world where Putin and Trump have successfully branded journalists as traffickers in fake news, while promoting the actual creators of fake news, an investigative reporter shows the tools that are used to deceive us and explains why they work. Using exclusive documents and interviews drawn from three decades as an award-winning reporter, editor, foreign correspondent, television producer, documentary filmmaker, and journalism educator, Stephen Davis reveals shocking details of deception in the United States, the UK, Russia, Sweden, the Baltic republics, Australia, New Zealand, Brazil, the Arctic and Antarctic. Truthteller is an essential guide for understanding the modern media world — for teachers, students and concerned citizens who want to know the facts, not fake news and conspiracy theories. It takes you inside the world of investigative reporting in an intimate history of a reporter’s battles, won and lost, the personal and professional costs and the lives damaged along the way.

Conspiracy theorists claim impossible knowledge, such as knowledge of the doings of a secret world government. Yet they accept this impossible knowledge as truth. In effect, conspiracy theories detach truth from knowledge. Knowledge without power is powerless. And the impossible knowledge claimed by conspiracy theorists is rigorously excluded from the regimes of truth and power – that is not even wrong. Yet conspiratorial knowledge is potent enough to be studied by researchers and recognized as a risk by experts and authorities. Therefore, in order to understand conspiracy theories, we need to think of truth beyond knowledge and power. That is impossible for any scientific discipline because it takes for granted that truth comes from knowledge and that truth is powerful enough to destroy the legitimacy of any authority that would dare to conceal or manipulate it. Since science is unable to make sense of conspiracy theories, it treats conspiracy theorists as individuals who fail to make sense, and it explains their persistent nonsense by some cognitive, behavioral, or social dysfunction. Fortunately, critical theory has developed tools able to conceive of truth beyond knowledge and power, and hence to make sense of conspiracy theories. This book organizes them into a toolbox which will enable students and researchers to analyze conspiracy theories as practices of the self geared at self-empowerment, a sort of political self-help.

Now an Indie Next pick! A Most Anticipated Pick for BookRiot | FanFi Addict | The Nerd Daily | io9 | We Are Bookish | Buzzfeed Book of the Year for Kirkus Reviews, Book of the Year for Gizmodo “A delicious tangle of romance, fealty, and dangerous politics.”—Tasha Suri The Goblin Emperor meets "Magnificent Century" in Alexandra Rowland's A Taste of Gold and Iron, where a queer central romance unfolds in a fantasy world reminiscent of the Ottoman Empire. Kadou, the shy prince of Arasht, finds himself at odds with one of the most powerful ambassadors at court—the body-father of the queen's new child—in an altercation which results in his humiliation. To prove his loyalty to the queen, his sister, Kadou takes responsibility for the investigation of a break-in at one of their guilds, with the help of his newly appointed bodyguard, the coldly handsome Evemer, who seems to tolerate him at best. In Arasht, where princes can touch-taste precious metals with their fingers and myth runs side by side with history, counterfeiting is heresy, and the conspiracy they discover could cripple the kingdom’s financial standing and bring about its ruin. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Get the real facts you weren’t taught in school and learn how these myths have survived for so long. Discover the stories behind history’s greatest lies and how—and why—the world’s biggest whoppers have survived textbooks and lesson plans for years. For instance, did you know the conquistador Hernán Cortés wasn’t as bloodthirsty as they say? Neither were the Goths, who were actually the most progressive of the Germanic tribes. Or, that a petty criminal with a resemblance to John Dillinger was probably assassinated instead of the notorious bank robber? In History’s Greatest Lies, Weir sets the record straight through a fascinating examination of historical lies and myths and the true stories behind them. Each chapter pinpoints a misconception held as common truth in history. For example: Emperor Nero did not fiddle as Rome burned Paul Revere had plenty of help in his midnight ride In terms of prisons, the Bastille wasn’t all that bad Weir explains why each lie persevered in our minds through ulterior motives, responsibility shirking, or exaggerations. You’ll also discover the common threads that make up these falsehoods: the scapegoats, the spin needed to cast undeserving in a better light, and the frightful oversimplification of facts. Praise for History’s Greatest Lies “Weir takes no prisoners—and tells no lies—in his continuously surprising and always fascinating new book. Great falsehoods have shaped history even more than great truths; the enduring fascination of this highly original volume is discovering how much of what we accept for fact is just plain wrong.” —Joe Cummins, author of The War Chronicles: From Chariots to Flintlocks and History’s Greatest Untold Stories