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A collection of articles on Twain's work expressing a broad range of critical perspectives and pedagogical methods, intended to address race, gender and class issues in the classroom.

A warrior woman and her dark twin are destined to remake the world in this “powerful” tale, the first in a trilogy by a World Fantasy Award winner (Newsweek). Legend foretold the child named Jenna, who was three-times orphaned before she could crawl, a fate that would leave her in the hands of women who worshipped the benevolent goddess Great Alta. In this world without men, Jenna comes of age, learning quickly the skills of close combat. But her most powerful gift lies elsewhere: a mirror sister who emerges only in the darkness—a twin named Skada—and shares the soul of the young, white-haired warrior who might well be the goddess reborn. But if Jenna is, in truth, the one whose coming is awaited, there is cause for great alarm among those who rule the Dales, for the prophecy speaks of upheaval and change, and a devastating end of all things. An incomparable world-builder and one of America’s premier fantasists, the remarkable Jane Yolen begins a three-part saga as inventive, intelligent, and exciting as anything that has ever been produced in the literature of the fantastic. Brilliantly contrasting the “true” story of Jenna with the later myths, poetry, and so-called scholarship that her coming engendered, Yolen creates a culture as richly imagined as those found in the acclaimed novels of Ursula K. Le Guin. A truly magnificent work, Sister Light, Sister Dark takes fantasy fiction to wondrous places it has never gone before.

Mark Twain, the “Father of American Literature,” and renowned humorist, satirist, and commentator on humanity and American life, is best known for his classic, Adventures of Huckleberry Finn. Twain’s body of work, however, is expansive; from Adventures of Tom Sawyer and A Connecticut Yankee in King Arthur’s Court to the travelogue The Innocents Abroad and essays on human nature, religion, science, and literature, no aspect of life is left untouched by Twain. His portrayal of American life, ripe with the contradictions of America’s ideals and its actual practices, as well as his characters, at once fantastical and completely human, provide a window onto humanity and social life. As the third book in the Great Authors and Philosophy series, Mark Twain and Philosophy reveals deeper issues raised by Twain’s work and speaks to his continued relevance as a social commentator interrogating issues fundamental to our lives. From slavery, freedom, and human rights, to science, parapsychology, and religion, this book exposes how Twain’s body of work touches every corner of human experience.

A teen at boarding school grapples with life, love, and rugby in this unforgettable novel that is “alternately hilarious and painful, awkward and enlightening” (Publishers Weekly, starred review). Ryan Dean West is a fourteen-year-old junior at a boarding school for rich kids. He’s living in Opportunity Hall, the dorm for troublemakers, and rooming with the biggest bully on the rugby team. And he’s madly in love with his best friend Annie, who thinks of him as a little boy. Ryan Dean manages to survive life’s complications with the help of his sense of humor, rugby buddies, and his penchant for doodling comics. But when the unthinkable happens, he has to figure out how to hold on to what’s important, even when it feels like everything has fallen apart. Filled with hand-drawn infographics and illustrations and told in a pitch-perfect voice, this realistic depiction of a teen’s experience strikes an exceptional balance of hilarious and heartbreaking.

When Connecticut mechanic and foreman Hank Morgan is knocked unconscious, he wakes not to the familiar scenes of nineteenth-century America but to the bewildering sights and sounds of sixth-century Camelot. Although confused at first and quickly imprisoned, he soon realises that his knowledge of the future can transform his fate. Correctly predicting a solar eclipse from inside his prison cell, Morgan terrifies the people of England into releasing him and swiftly establishes himself as the most powerful magician in the land, stronger than Merlin and greatly admired by Arthur himself. But the Connecticut Yankee wishes for more than simply a place at the Round Table. Soon, he begins a far greater struggle: to bring American democratic ideals to Old England. Complex and fascinating, A Connecticut Yankee is a darkly comic consideration of the nature of human nature and society. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.