Twenty-nine poems from the 1950's.

The sequel to Ferlinghetti's "A Coney Island of the Mind", this sequence of 100 poems with recurrent themes includes various sections on love, art, music, history, and literature, as well as confrontations with major figures in the avant-garde before the arrival of the Beat generation.

Ferlinghetti has been telling the truth in poems for more than four decades, and every indication is that he will continue to be heard when all the pretenders have turned to witless stone. Certainly the more than 50 pages of new work included here with his own selections of earlier work continue to maintain the faith. Published by New Directions, 80 Eighth Avenue, New York, NY 10011. Annotation copyright by Book News, Inc., Portland, OR

From the famed publisher and poet, author of the million-copy-selling collection A Coney Island of the Mind, his literary last will and testament -- part autobiography, part summing up, part Beat-inflected torrent of language and feeling, and all magical. "A volcanic explosion of personal memories, political rants, social commentary, environmental jeremiads and cultural analysis all tangled together in one breathless sentence that would make James Joyce proud. . ." —Ron Charles, The Washington Post In this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The "Little Boy" of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy's vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.

Poems about the City by the Bay by its first official Poet Laureate.

A collection of poetic works by the 2005 National Book Award Literarian Medal recipient features pieces that reflect the conservative post-war period of the 1950s.

"A surreal semi-autobiographical blackbook record of a semi-mad period of my life, in that mindless, timeless state most romantics pass through, confusing flesh madonnas with spiritual ones." This is how the author describes this extraordinary expatriate novel.