The Malcontent, usually considered to be John Marston's masterpiece, is one of the most original plays of the Elizabethan theatre--complex in genre, structure, and language. A major reason for the play's preeminence lies in the balance it achieves between the opposite claims of laughter and horror. This edition has notes designed for modern undergraduate use and the introduction has been rewritten to take into account the most recent scholarship.

This book is the first ever concordance to the rhymes of Spenser’s epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser’s rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.