This book is an interdisciplinary collection of essays examining Goethe’s Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons’ introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe’s Dr. Faustus.Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge’s critique of Goethe’s Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo’s poem “Fausto” retells Gounod’s opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe’s Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe’s Faust. Susanne Ledanff discusses the significance of Goethe’s Faust for Werner Fritsch’s avant-garde “Theater of the Now.” Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.

In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.

Includes an introduction to the life of Johann Wolfgang von Goethe, and includes notes on principla characters, summaries and commentaries, and more.

Explores the influence of the Faust legend on drama and film from the sixteenth century to the contemporary era.

Like Faust itself, the volume offers neither closed structure nor final conclusions, but illustrates and elaborates the richness of the work.

Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms.

Johann Wolfgang von Goethe is considered the greatest German literary figure of the modern era. He was a German writer and statesman. His works include: four novels; epic and lyric poetry; prose and verse dramas; memoirs; an autobiography; literary and aesthetic criticism; and treatises on botany, anatomy, and colour. This collection includes the following: The Sorrows of Young Werther (1774) Wilhelm Meister’s Apprenticeship (1794) Elective Affinities (1809) Wilhelm Meister’s Journeyman Years (1821) The Green Snake and the Beautiful Lily (1795) A Tale (1797) The Good Women (1797) The Wayward Lover (1768) The Fellow Culprits (1769) Goetz von Berlichingen (1773) Clavigo (1774) Egmont (1788) The Brother and Sister (1776) Stella (1776) Iphigenia in Tauris (1779) Torquato Tasso (1790) The Natural Daughter (1803) Faust: Part One (1808) Faust: Part Two (1832) The Poems of Goethe Reynard the Fox (1794) The Siege of Mainz (1793) Theory of Colours (1810) Introduction to ‘The Propyläen’ (1798) Winckelmann and His Age (1805) The Travel Writing Letters from Switzerland and Travels in Italy (1816) The Criticism Goethe the Writer by Ralph Waldo Emerson Goethe by C. E. Vaughan Goethe by John Cowper Powys Goethe’s Faust by George Santayana Shakespeare and Goethe by David Masson Goethe’s Theory of Colors by John Tyndall Extracts of Correspondence by Sir Walter Scott The Autobiography Truth and Fiction Relating to My Life (1811) The Biographies Conversations with Goethe (1836) by Johann Peter Eckermann The Life of Goethe by Calvin Thomas (1886) Life of Johann Wolfgang Goethe by James Sime (1888)