This reprint of an 1866 volume of poems by the author of Moby Dick and Billy Budd includes four essays showing why Melville's verse with its unconventional linking of literary form and political-military history remains misunderstood and neglected. Princeton University historian James M. McPherson's preface thoughtfully discusses the import of Melville's book as a Civil War document. The introduction sketches Melville's pre-war concern with slavery in Moby Dick (1851) and Benito Cereno (1856). The seventy-two deeply moving, austerely beautiful lyrical poems about the Civil War include works on the hanging of John Brown, the assassination of Abraham Lincoln, and the battles at Donelson, Shiloh, and Gettysburg. Harvard University critic Helen Vendler's essay argues that Melville's innovative manner of transforming this epic matter of history into a new kind of lyric poem makes for arresting and wholly original poetry. For Boston University poet Rosanna Warren, the irregularity of Melville's verse forces readers to participate in the process of arriving at a dark knowledge of war. According to Richard Cox, the organization of Melville's poems conveys that the passions of the war will not cease and yet they seem to continue Abraham Lincoln's task of binding the nation's wounds. Paul Dowling reveals how the poet reshaped the war, distorting history to moderate wartime passions and to imitate Shakespeare's philosophical (but unpopular) dramas. Students and scholars of American literature and history, as well as Civil War enthusiasts, will welcome this outstanding new publication of a long-neglected volume of political poetry by one of America's classic novelists.

This reprint of an 1866 volume of poems by the author of "Moby Dick" and "Billy Budd" includes four essays showing why Melville's verse remains misunderstood and neglected. The 72 lyrical poems about the Civil War include works on the hanging of John Brown, the assassination of Abraham Lincoln, and on the battles at Donelson, Shiloh, and Gettysburg.

Battle-Pieces and Aspects of the War (1866) is the first book of poetry published by American author Herman Melville. The volume is dedicated "To the Memory of the Three Hundred Thousand Who in the War For the Maintenance of the Union Fell Devotedly Under the Flag of Their Country" and its 72 poems deal with the battles and personalities of the American Civil War and their aftermath. Critics at the time were at best respectful and often sharply critical of Melville's unorthodox style. The book had sold only 486 copies by 1868 and recovered barely half of its publications costs.[1] Not until the latter half of the twentieth century did Battle-Pieces become regarded as one of the most important group of poems on the American Civil War.

Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer, and poet from the American Renaissance period. Most of his writings were published between 1846 and 1857. Best known for his sea adventure Typee (1846) and his whaling novel Moby-Dick (1851), he was almost forgotten during the last thirty years of his life. Melville's writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. The main characteristic of his style is probably pervasive allusion, reflecting his written sources. Melville's way of adapting what he read for his own new purposes, scholar Stanley T. Williams wrote, "was a transforming power comparable to Shakespeare's".

Battle-Pieces and Aspects of the War (1866) is the first book of poetry published by the American author Herman Melville. ... Also included are Notes and a Supplement in prose in which Melville sets forth his thoughts on how the Post-war Reconstruction should be carried out.

A superb selection of poems from both sides of the American Civil War features more than 75 inspired works by Melville, Emerson, Longfellow, Whittier, Whitman, and many others.