A Companion to Ostrogothic Italy is a concise yet comprehensive cutting edge survey of the rise and fall of Italy’s first barbarian kingdom, the Ostrogothic state (ca. 489-554 CE). The volume’s 18 essays provide readers with probing syntheses of recent scholarship on key topics, from the Ostrogothic army and administration to religious diversity and ecclesiastical development, ethnicity, cultural achievements, urbanism, and the rural economy. Significantly, the volume also presents innovative studies of hitherto under-examined topics, including the Ostrogothic provinces beyond the Italian lands, gender and the Ostrogothic court, and Ostrogothic Italy’s environmental history. Featuring work by an international panel of scholars, the volume is designed for both new students and specialists in the field. Contributors are Jonathan Arnold, Shane Bjornlie, Samuel Cohen, Kate Cooper, Deborah Deliyannis, Cam Grey, Guy Halsall, Gerda Heydemann, Mark Johnson, Sean Lafferty, Natalia Lozovsky, Federico Marazzi, Christine Radtki, Kristina Sessa, Paolo Squatriti, Brian Swain, and Rita Lizzi Testa.

The barbarians of the fifth and sixth centuries were long thought to be races, tribes or ethnic groups who toppled the Roman Empire. This book proposes a new view, through a case study of the Goths of Italy between 489 and 554. The author suggests wholly new ways of understanding barbarian groups and the end of the Western Roman Empire. The book also proposes a complete reinterpretation of the evolution of Christian conceptions of community, and of so-called "Germanic" Arianism.

This book introduces the Age of Justinian, the last Roman century and the first flowering of Byzantine culture. Dominated by the policies and personality of emperor Justinian I (527–565), this period of grand achievements and far-reaching failures witnessed the transformation of the Mediterranean world. In this volume, twenty specialists explore the most important aspects of the age including the mechanics and theory of empire, warfare, urbanism, and economy. It also discusses the impact of the great plague, the codification of Roman law, and the many religious upheavals taking place at the time. Consideration is given to imperial relations with the papacy, northern barbarians, the Persians, and other eastern peoples, shedding new light on a dramatic and highly significant historical period.

“This magnificent love letter to Rome” (Stephen Greenblatt) tells the story of the Eternal City through pivotal moments that defined its history—from the early Roman Republic through the Renaissance and the Reformation to the German occupation in World War Two—“an erudite history that reads like a page-turner” (Maria Semple). Rome, the Eternal City. It is a hugely popular tourist destination with a rich history, famed for such sites as the Colosseum, the Forum, the Pantheon, St. Peter’s, and the Vatican. In no other city is history as present as it is in Rome. Today visitors can stand on bridges that Julius Caesar and Cicero crossed; walk around temples in the footsteps of emperors; visit churches from the earliest days of Christianity. This is all the more remarkable considering what the city has endured over the centuries. It has been ravaged by fires, floods, earthquakes, and—most of all—by roving armies. These have invaded repeatedly, from ancient times to as recently as 1943. Many times Romans have shrugged off catastrophe and remade their city anew. “Matthew Kneale [is] one step ahead of most other Roman chroniclers” (The New York Times Book Review). He paints portraits of the city before seven pivotal assaults, describing what it looked like, felt like, smelled like and how Romans, both rich and poor, lived their everyday lives. He shows how the attacks transformed Rome—sometimes for the better. With drama and humor he brings to life the city of Augustus, of Michelangelo and Bernini, of Garibaldi and Mussolini, and of popes both saintly and very worldly. Rome is “exciting…gripping…a slow roller-coaster ride through the fortunes of a place deeply entangled in its past” (The Wall Street Journal).

In this book, Massimiliano Vitiello situates the life and career of the Ostrogothic queen Amalasuintha (c. 494/5-535), daughter of Theoderic the Great, in the context of the transitional time, after the fall of Rome, during which new dynastic regimes were experimenting with various forms of political legitimation. A member of the Gothic elite raised in the Romanized palace of Ravenna, Amalasuintha married her father's chosen successor and was set to become a traditional Gothic queen—a helpmate and advisor to her husband, the Visigothic prince Eutharic—with no formal political role of her own. But her early widowhood and the subsequent death of her father threw her into a position unprecedented in the Gothic world: a regent mother who assumed control of the government. During her regency, Amalasuintha clashed with a conservative Gothic aristocracy who resisted her leadership, garnered support among her Roman and pro-Roman subjects, defended Italy from the ambitions of other kings, and negotiated the expansionistic designs of Justinian and Theodora. When her son died unexpectedly at a young age, she undertook her most dangerous political enterprise: forming an unmarried coregency with her cousin, Theodahad, whom she raised to the throne. His final betrayal would cost Amalasuintha her rule and her life. Vitiello argues that Amalasuintha's story reveals a key phase in the transformation of queenship in late antiquity and the early Middle Ages, a time in which royal women slowly began exercising political power. Assessing the ancient sources for Amalasuintha's biography, Cassiodorus, Procopius, Gregory of Tours, and Jordanes, Vitiello demonstrates the ways in which her life and public image show the influence of late Roman and Byzantine imperial models on the formation of female political power in the post-Roman world.

Over the course of the fourth through seventh centuries, Rome witnessed a succession of five significant political and military crises, including the Sack of Rome, the Vandal occupation, and the demise of the Senate. Historians have traditionally considered these crises as defining events, and thus critical to our understanding of the 'decline and fall of Rome.' In this volume, Michele Renee Salzman offers a fresh interpretation of the tumultuous events that occurred in Rome during Late Antiquity. Focusing on the resilience of successive generations of Roman men and women and their ability to reconstitute their city and society, Salzman demonstrates the central role that senatorial aristocracy played, and the limited influence of the papacy during this period. Her provocative study provides a new explanation for the longevity of Rome and its ability, not merely to survive, but even to thrive over the last three centuries of the Western Roman Empire.

This first volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in Western civilisation, from the Goths' sacking of Rome in 410 AD through to its manifestations in British and European culture of the long eighteenth century. Written by international cast of leading scholars, the chapters explore the interdisciplinary nature of the Gothic in the fields of history, literature, architecture and fine art. As much a cultural history of Gothic as an account of the ways in which the Gothic has participated within a number of formative historical events across time, the volume offers fresh perspectives on familiar themes while also drawing new critical attention to a range of hitherto overlooked concerns. From writers such as Horace Walpole and Ann Radcliffe to eighteenth-century politics and theatre, the volume provides a thorough and engaging overview of early Gothic culture in Britain and beyond.