A Companion to Feminist Geography captures the breadth anddiversity of this vibrant and substantive field. Shows how feminist geography has changed the landscape ofgeographical inquiry and knowledge since the 1970s. Explores the diverse literatures that comprise feministgeography today. Showcases cutting-edge research by feminist geographers. Charts emerging areas of scholarship, such as the body and thenation. Contributions from 50 leading international scholars in thefield. Each chapter can be read for its own distinctivecontribution.

In this innovative reader, Pamela Moss and Karen Falconer Al-Hindi present a unique, reflective approach to what feminist geography is and who feminist geographers are. Their carefully crafted textbook invigorates feminist debates about space, place, and knowledges with a fine balance among teaching chapters, reprints, and original essays. Offering an anthology that actually questions the very purpose of an anthology, the editors create and then negotiate a tension between reinforcing and destabilizing scholarly authority. They challenge the idea that there is one set of works that acts as the vision, interpretation, voice, and feel of feminist geography while both reproducing key previously published works and including fresh essays from a number of feminist geographers in a single volume. The first chapter frames feminism, geography, and knowledge as a m lange of ideas, principles, and practices. Each of the three major sections of the volume begins with an introductory essay that places individual contributions into the overarching argument about the construction of feminist geography. Each introduction is then followed by a combination of reprints and original essays that contribute both to understanding how feminist geographical knowledge is constructed differently in different places and to showing what feminist geographers do wherever they are. The final chapter extends the anti-anthology arguments and raises questions that feminisms in geographies have yet to address. Students and scholars will find both the approach and the discussion essential for a full and nuanced understanding of feminist geography. Contributions by: Sybille Bauriedl, Kath Browne, Joos Droogleever Fortuijn, Kim England, Karen Falconer Al-Hindi, Anne-Fran oise Gilbert, Melissa R. Gilbert, Ellen Hansen, Susan Hanson, Audrey Kobayashi, Clare Madge, Michele Masucci, Janice Monk, Pamela Moss, Ann M. Oberhauser, Linda Peake, Geraldine Pratt, Parvati Raghuram, Bernadette Stiell, Amy Trauger, Dina Vaiou, The Sangtin Writers: Anupamlata, Ramsheela, Reshma Ansari, Vibha Bajpayee, Shashi Vaish, Shashibala, Surbala, Richa Singh, and Richa Nagar

Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art—in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history of and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, desire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate.

The Wiley Blackwell Companion to Political Geography aims to account for the intellectual and worldly developments that have taken place in and around political geography in the last 10 years. Bringing together established names in the field as well as new scholars, it highlights provocative theoretical and conceptual debates on political geography from a range of global perspectives. Discusses the latest developments and places increased emphasis on modes of thinking, contested key concepts, and on geopolitics, climate change and terrorism Explores the influence of the practice-based methods in geography and concepts including postcolonialism, feminist geographies, the notion of the Anthropocene, and new understandings of the role of non-human actors in networks of power Offers an accessible introduction to political geography for those in allied fields including political science, international relations, and sociology

Building on a trans-disciplinary, feminist project that foregrounds the bodies of those at the ‘sharp end’ of various forms of international activity, such as immigration, development and warfare, the chapters included in this book cover a variety of sites, concerns, and hopes. These range from the fraught geopolitics of marriage and birth in Ladakh, India, to the fate of detained migrant children in the U.S., and from the human rights abuses of women and children in Uzbekistan to the body politics of aid workers in Afghanistan. The collective aim is to expose the force relations that operate through and upon those bodies, such that particular subjectivities are enhanced, constrained, and put to work, and particular corporealities are violated, exploited, and often abandoned. Oriented around issues of security, population, territory, and nationalism, these chapters expose the proliferating bodies of geopolitics, not simply as the bearers of socially demarcated borders and boundaries, but as vulnerable corporealities, seeking to negotiate and transform the geopolitics they both animate and inhabit. This book was originally published as a special issue of Gender, Place and Culture: A Journal of Feminist Geography.

**Named a 2014 Choice Outstanding Academic Title** Combining coverage of key themes and debates from a variety of historical and theoretical perspectives, this authoritative reference volume offers the most up-to-date and substantive analysis of cultural geography currently available. A significantly revised new edition covering a number of new topics such as biotechnology, rural, food, media and tech, borders and tourism, whilst also reflecting developments in established subjects including animal geographies Edited and written by the leading authorities in this fast-developing discipline, and features a host of new contributors to the second edition Traces the historical evolution of cultural geography through to the very latest research Provides an international perspective, reflecting the advancing academic traditions of non-Western institutions, especially in Asia Features a thematic structure, with sections exploring topics such as identities, nature and culture, and flows and mobility

Public Privates focuses on public and private acts and spaces in media to explore the formation of geographies. Situated at the intersections of cultural geography, feminist geography, and media studies, Marcia R. England’s study argues that media both reinforce and subvert traditional notions of public and private spaces through depiction of behaviors and actions within those spheres. Though popular media contribute to the erosion of indistinct edges between spaces, they also frequently reinforce the traditional dualism through particular codings that designate the normed and gendered socio-spatial actions appropriate in each sphere—producing geographical imaginations and behaviors. England applies her immensely readable construction to a diverse and wide-ranging array of media including Buffy the Vampire Slayer, The Fast and the Furious, J-Horror, sitcoms, Degrassi, and reality TV. By examining the gendered representations of public and private spaces in media and how images influence imagined and lived geographies, England shows how popular culture, specifically visual media, transmits ideologies that disintegrate the already blurred boundaries between public and private spaces.