This companion volume seeks to trace the development of ideas relating to death, burial, and the remembrance of the dead in Europe from ca.1300-1700.

"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--

Juxtaposing and interlacing similarities and differences across and beyond the pre-modern Mediterranean world, Christian, Islamic and Jewish healing traditions, the collection highlights and nuances some of the recent critical advances in scholarship on death and disease.

For nearly two millennia, Christians have tried to make sense of the Bible’s reminder that the poor are ‘always among us’. This volume explores the diverse range of ideas, institutions, and experiences early modern Europeans brought to bear in response to this biblical adage. Do good unto all traces the concept and practice of charity across the four major early modern Christian confessions – Catholic, Lutheran, Calvinist, and Anabaptist – and over a wide range of geographical areas from Scotland to Switzerland and the Spanish Atlantic World. By bringing such a diverse set of localised studies into concert for the first time, this volume exposes the many intersections and tensions that arose between and within communities as they attempted to translate the ideal of charity into practice. This comparative approach shifts the focus from binary definitions of ‘deserving’ and ‘undeserving’ poor or ‘Catholic’ and ‘Protestant’. Instead, Do good unto all charts a new course for the study of charity beyond institutional poor relief, where the matrix of individual ideas and experiences can be fully appreciated.

Both in our time and in the past, death was one of the most important aspects of anyone’s life. The early modern period saw drastic changes in rites of death, burials and commemoration. One particularly fruitful avenue of research is not to focus on death in general, but the moment of death specifically. This volume investigates this transitionary moment between life and death. In many cases, this was a death on a deathbed, but it also included the scaffold, battlefield, or death in the streets. Contributors: Friedrich J. Becher, Benedikt Brunner, Isabel Casteels, Martin Christ, Louise Deschryver, Irene Dingel, Michaël Green, Vanessa Harding, Sigrun Haude, Vera Henkelmann, Imke Lichterfeld, Erik Seeman, Elizabeth Tingle, and Hillard von Thiessen.

Drawing together leading scholars of early modern memory studies and death studies, Memory and Mortality in Renaissance England explores and illuminates the interrelationships of these categories of Renaissance knowing and doing, theory and praxis. The collection features an extended Introduction that establishes the rich vein connecting these two fields of study and investigation. Thereafter, the collection is arranged into three subsections, 'The Arts of Remembering Death', 'Grounding the Remembrance of the Dead', and 'The Ends of Commemoration', where contributors analyse how memory and mortality intersected in writings, devotional practice, and visual culture. The book will appeal to scholars of early modern literature and culture, book history, art history, and the history of mnemonics and thanatology, and will prove an indispensable guide for researchers, instructors, and students alike.

The historiography of death, memory, and testamentary practices is already abundant in Western Europe and a fairly large number of extra-European regions. For East-Central Europe there are many short studies in various regional languages, mainly on anthropological/ethnographic aspects of the funeral rituals. This is an edited collection of studies by international scholars on the interlocking themes of attitudes and discourses on death, commemorative practices, and inheritance/testamentary strategies in the Balkans and East-Central Europe. These and other related themes are addressed comparatively and cover areas including Albania, Bulgaria, Romania, Greece, and areas of the former Yugoslavia, Hungary, and Austria from the perspective of imperial – Ottoman and Habsburg – legacies. Pro refrigerio animae: Death and Memory in East-Central Europe contributes to this subject by: linking anthropological/religious/cultural approaches to death to the legal/economic aspects of inheritance/commemoration; adding a still absent East-Central European and Habsburg, Balkan, and Ottoman dimension to the study of death, memorialization, and testaments; and presenting an abundant primary and secondary material in English translation and thus placing research on death and testaments by East-Central and Greek scholars within the international scholarly circuit.