An accessible and authoritative overview of the scholarship that has shaped our understanding of one of the most iconic battles in the history of the American West Combines contributions from an array of respected scholars, historians, and battlefield scientists Outlines the political and cultural conditions that laid the foundation for the Centennial Campaign and examines how George Armstrong Custer became its figurehead Provides a detailed analysis of the battle maneuverings at Little Bighorn, paying special attention to Indian testimony from the battlefield Concludes with a section examining how the Battle of Little Bighorn has been mythologized and its pervading influence on American culture

A study of the four Indian fights of the famous Indian fighter and Civil War general George Custer. It covers the Washita and his fights along the Yellowstone River ending at Little Bighorn.

The classic account of Custer\'s Last Stand that shattered themyth of the Little Bighorn and rewrote history books. This historic and personal work tells the Native American sideof Custer\'s fabled attack, poignantly revealing how disastrous theencounter was for the "victors," the last great gathering of PlainsIndians under the leadership of Sitting Bull.

The book is intended to create a historically accurate and visual study guide. It is much more than just a book of maps. These literal battle lines in map form were drawn by those who had direct and indirect knowledge of this tragic episode in our nation's history.

The defeat of George Armstrong Custer and the Seventh Cavalry at the Battle of the Little Bighorn was big news in 1876. Newspaper coverage of the battle initiated hot debates about whether the U.S. government should change its policy toward American Indians and who was to blame for the army’s loss—the latter, an argument that ignites passion to this day. In Shooting Arrows and Slinging Mud, James E. Mueller draws on exhaustive research of period newspapers to explore press coverage of the famous battle. As he analyzes a wide range of accounts—some grim, some circumspect, some even laced with humor—Mueller offers a unique take on the dramatic events that so shook the American public. Among the many myths surrounding the Little Bighorn is that journalists of that time were incompetent hacks who, in response to the stunning news of Custer’s defeat, called for bloodthirsty revenge against the Indians and portrayed the “boy general” as a glamorous hero who had suffered a martyr’s death. Mueller argues otherwise, explaining that the journalists of 1876 were not uniformly biased against the Indians, and they did a credible job of describing the battle. They reported facts as they knew them, wrote thoughtful editorials, and asked important questions. Although not without their biases, journalists reporting on the Battle of the Little Bighorn cannot be credited—or faulted—for creating the legend of Custer’s Last Stand. Indeed, as Mueller reveals, after the initial burst of attention, these journalists quickly moved on to other stories of their day. It would be art and popular culture—biographies, paintings, Wild West shows, novels, and movies—that would forever embed the Last Stand in the American psyche.

Subtitle from jacket; subtitle on title page repeats the main title.