The first volume to offer a comprehensive scholarly treatment of Rand’s entire corpus (including her novels, her philosophical essays, and her analysis of the events of her times), this Companion provides vital orientation and context for scholars and educated readers grappling with a controversial and understudied thinker whose enduring influence on American (and world) culture is increasingly recognized. The first publication to provide an in-depth scholarly treatment ranging over the whole of Rand’s corpus Provides informed contextual analysis for scholars in a variety of disciplines Presents original research on unpublished material and drafts from the Rand archives in California Features insightful and fair-minded interpretations of Rand’s controversial positions

A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

Winner of the Edgar Award for Young Adult Fiction! The other orphans say Margot is lucky. Lucky to survive the horrible accident that killed her family. Lucky to have her own room because she wakes up screaming every night. And finally, lucky to be chosen by a prestigious family to live at their remote country estate. But it wasn't luck that made the Suttons rescue Margot from her bleak existence at the group home. Margot was handpicked to be a companion to their silent, mysterious daughter, Agatha. At first, helping with Agatha--and getting to know her handsome younger brother--seems much better than the group home. But soon, the isolated house begins playing tricks on Margot’s mind, making her question everything she believes about the Suttons . . . and herself. Margot’s bad dreams may have stopped when she came to live with Agatha – but the real nightmare has just begun.

This collection of highly original narrative poems is written in the voice of frontiersman Daniel Boone and captures all the beauty and struggle of nascent America. We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry. The darkest place I've ever been did not require a name. It seemed to be a gathering place for the lint of the world. The bottom of a hollow beneath two ridges, sunk like a stone. The water was surely old, the dregs of some ancient sea, but purified by time, like a man made better by his years, his old hurts absorbed into his soul, his losses like a spring in his breast. -from "Born Again"

An accessible and wide-ranging study of the history of the book within local, national and global contexts.

To the uninitiated, Thomas Pynchon’s V. seems to defy comprehension with its open-ended and fragmented narrative, huge cast of characters (some 150 of them), and wide range of often obscure references. J. Kerry Grant’s Companion to “V.” takes us through the novel chapter by chapter, breaking through its daunting surface by summarizing events and clarifying Pynchon’s many allusions. The Companion draws extensively from existing critical and explicative work on V. to suggest the range of interpretations that the novel can support. The hundreds of notes that comprise the Companion are keyed to the three most widely cited editions of V. Most notes are interpretive, but some also provide historical and cultural contexts or help to resurrect other nuances of meaning. Because it does not constitute a particular “reading” of, or “take” on, the novel, the Companion will appeal to a wide range of users. Rather than attempting to make final sense of the novel, the Companion exposes and demystifies Pynchon’s intent to play with our conventional attitudes about fiction.

A Companion to the New Testament draws readers deep inside the New Testament by providing a basic orientation to its literary contours and its ways of talking about theological matters. Designed especially for students learning to navigate the Bible as Christian Scripture, the Companion serves as an accessible, reliable, and engaging guide to each New Testament book's contents. It explores these books' capacity for informing Christian faith and life--among ancient audiences and also within Christian communities through time. Individual chapters offer thorough overviews of each New Testament book, helping readers consider its historical setting, cultural assumptions, literary dynamics, and theological points of view. The Companion consistently illustrates how social conditions and community identities left their marks on the particular theological rhetoric of the New Testament. Author Matthew Skinner draws on his extensive teaching experience to orient readers to theological convictions and social realities reflected in Scripture. He pays special attention to the New Testament's use of the Old Testament, the Roman Empire's influence on Christian ideas and practices, the place of women in the early church's life and teachings, the influence of Jewish apocalyptic themes on the New Testament, and ways that certain New Testament emphases have shaped basic Christian beliefs. This first volume of the Companion explains that the Gospels are the results of the early churches' efforts to preserve memories about the life and teaching of Jesus, his character, and his enduring significance. Readers discover that Jesus' followers told their stories about him because of their desire to give testimony to him as the Christ and the agent of divine salvation. Likewise, the Companion's treatment of Acts underscores that book's understanding of God as active in the world, a God who continues the ministry Jesus began but does so now in and around the churches formed by Jesus' followers. The earliest churches' narratives about their Lord and their origins were theological narratives--stories meant to communicate believers' convictions about God and God's commitment to the world.