The Ovidian Renaissance seems to have left the Remedia Amoris behind. The poem has remained marginal, read either as a reversal of the Ars Amatoria's teaching that brings the world of Ovidian elegy to a banal end, or as an over-determined supplement to the Ars which ironically fails in its ostensible aim of 'curing' the dissatisfied lover. While recent work has explored how the poem functions not just as a palinode to, but also as a continuation of, the Ars, the critical status quo continues to present it as a minor appendage rather than as an important chapter in Ovid's project as a poet of desire. Victoria Rimell's commentary resets critical perspectives by reading the Remedia as distinctive and original, and as a pivotal text within Ovid's oeuvre as a whole. In her immersive, creatively interpretative guide to the poem, the Remedia emerges as an intricate work that interacts with medical texts, works on rhetoric, law, magic and ritual, philosophical thinking about self-discipline, the irrational, consolation and therapy for the soul, as well as with Greco-Roman satire, lyric, epigram, and traditions of didactic and erotodidactic verse. The poem, Rimell argues, is a key node in Ovid's development of a poetics of paradox, reversibility, and auto-immunity.

The Art of Love celebrates the bi-millennium of Ovid's cycle of sophisticated and subversive didactic poems on love, traditionally assumed to have been brought to completion around AD 2. Ars Amatoria (The Art of Love) and Remedia Amoris (Cures for Love), which purport to teach young Roman men and women how to be good lovers, were partly responsible for the poet's exile from Rome under the emperor Augustus. None the less they exerted great influence over ancient and later love poetry. This is the first collection in English devoted to the poems, and brings together many of the leading figures in the field of Latin literature and Ovidian studies from the British Isles, Germany, Italy, and the United States. It offers a range of perspectives on the poetics, politics, and erotics of the poems, beginning with a critical survey of recent research, and concluding with papers on the ancient, medieval, and modern reception of the poems.

This work brings together a selection of the author's articles, written over a period of 20 years, observing the place of alcohol in American culture. The text also contains several ethnographic studies of bars in San Diego and a study of court-mandated programmes for drink drivers.

A parallel text and translation with.detailed analysis of the poem's literary and historical context and its relevance to sexuality, gender and the female body.

This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.

This slim study investigates the precise nature of Ovid's didactic poetry in the Remedia Amoris , as displayed in his exhortations, commands, advice and arguments. Contents: Introduction; Enjoinders; Proofs; Exempla; Promissory terms; Tractatio ; Appendix-sequential identification of enjoinders and arguments; Index of passages discussed.

The Bavarian Commentary and Ovid is the first complete critical edition and translation of the earliest preserved commentary on Ovid’s Metamorphoses. Today, Ovid’s famous work is one of the touchstones of ancient literature, but we have only a handful of scraps and quotations to show how the earliest medieval readers received and discussed the poems—until the Munich Bayerische Staatsbibliothek clm 4610. This commentary, which dates from around the year 1100 is the first systematic study of the Metamorphoses, founding a tradition of scholarly study that extends to the present day. Despite its significance, this medieval commentary has never before been published or analysed as a whole. Böckerman’s groundbreaking work includes a critical edition of the entire manuscript, together with a lucid English translation and a rigorous and stimulating introduction, which sets the work in its historical, geographical and linguistic contexts with precision and clarity while offering a rigorous analysis of its form and function. The Bavarian Commentary and Ovid is essential reading for academics concerned with the reception of Ovid or that of other ancient authors. It will also be of great interest for Classical scholars, those investigating medieval commentaries and media history, and for anyone intrigued to know more about how the work of Ovid has echoed through history.