Lucretius' account of the origin of life, the origin of species, and human prehistory is the longest and most detailed account extant from the ancient world. It gives an anti-teleological mechanistic theory of zoogony and the origin of species that does away with the need for any divine aidor design in the process, and accordingly it has been seen as a forerunner of Darwin's theory of evolution. This commentary locates Lucretius in both the ancient and modern contexts, and treats Lucretius' ideas as very much alive rather than as historical concepts. The recent revival of creationismmakes this study particularly relevant to contemporary debate, and indeed, many of the central questions posed by creationists are those Lucretius attempts to answer.

'In Lucretius on Atomic Motion Don Fowler produces a commentary of Lucretius like no other. His commentary achieves the status of a meta-commentary... what makes this commentary claim our attention is the range of texts, both poetic and philosophical, ancient and modern, that Fowler brings to bear in revealing the deep background --and the later fortune - of Lucretius' poem.' -Diskin Clay, Times Literary SupplementThis is the first commentary on Lucretius' theory of atomic motion, one of the most difficult and technical parts of De rerum natura. The late Don Fowler sets new standards for Lucretian studies in his awesome command both of the ancient literary, philological, and philosophical background to this Latin Epicurean poem, and of the relevant modern scholarship.

Lucretius' poem, for which Epicurean philosophy provided the inspiration, attempts to explain the nature of the universe and its processes with the object of freeing mankind from religious fears.

Now available in paperback, this annotated scholarly edition of the Latin text of De Rerum Natura has long been hailed as one of the finest editions of this monumental work. It features an introduction to Lucretius's life and work by William Ellery Leonard, an introduction to and commentary on the poem by Stanley Barney Smith, the complete Latin text with detailed annotations, and an index of ancient sources. --University of Wisconsin Press.

This is the first detailed analysis of the fate of Lucretius' De rerum natura from its composition in the 50s BC to the creation of our earliest extant manuscripts during the Carolingian Age. Close investigation of the knowledge of Lucretius' poem among writers throughout the Roman and medieval world allows fresh insight into the work's readership and reception, and a clear assessment of the indirect tradition's value for editing the poem. The first extended analysis of the 170+ subject headings (capitula) that intersperse the text reveals the close engagement of its Roman readers. A fresh inspection and assignation of marginal hands in the poem's most important manuscript (the Oblongus) provides new evidence about the work of Carolingian correctors and offers the basis for a new Lucretian stemma codicum. Further clarification of the interrelationship of Lucretius' Renaissance manuscripts gives additional evidence of the poem's reception and circulation in fifteenth-century Italy.

Takes stock of existing approaches in the interpretation of Lucretius, innovates within these, and advances in new directions.

Lucretius’ philosophical epic De Rerum Natura (On the Nature of Things) is a lengthy didactic and narrative celebration of the universe and, in particular, the world of nature and creation in which humanity finds its abode. This earliest surviving full scale epic poem from ancient Rome was of immense influence and significance to the development of the Latin epic tradition, and continues to challenge and haunt its readers to the present day. A Reading of Lucretius’ De Rerum Natura offers a comprehensive commentary on this great work of Roman poetry and philosophy. Lee Fratantuono reveals Lucretius to be a poet with deep and abiding interest in the nature of the Roman identity as the children of both Venus (through Aeneas) and Mars (through Romulus); the consequences (both positive and negative) of descent from the immortal powers of love and war are explored in vivid epic narrative, as the poet progresses from his invocation to the mother of the children of Aeneas through to the burning funeral pyres of the plague at Athens. Lucretius’ epic offers the possibility of serenity and peaceful reflection on the mysteries of the nature of the world, even as it shatters any hope of immortality through its bleak vision of post mortem oblivion. And in the process of defining what it means both to be human and Roman, Lucretius offers a horrifying vision of the perils of excessive devotion both to the gods and our fellow men, a commentary on the nature of pietas that would serve as a warning for Virgil in his later depiction of the Trojan Aeneas.