Livy's ninth book, one of his finest and most interesting, begins with his celebrated account of the Roman disaster in the Caudine Forks and its aftermath and contains also the famous digression on Alexander and our longest account of the censorship of Appius Claudius Caecus. This new commentary, which is a sequel to those on Books VI-VIII published in 1997 and 1998, deals comprehensively with all aspects of Livy's work, including the literary structure of his narrative, the purpose of the digression on Alexander, the historical and topographical problems of the Samnite Wars, Roman politics in the age of Appius Claudius Caecus, the poetical and archaic language sometimes affected by Livy, and the numerous textual problems posed by the extant manuscripts.

This magisterial work, to be published in three volumes, is the first full-scale commentary to be written in modern times on this part of Livy's great history of Rome. This second volume consists of Books VII and VIII, in which Livy describes Rome's annexation of Capua and Naples and her first fighting against the Samnites, the powerful tribe that lived in the mountains of central Italy. (The commentary is not accompanied by the Latin text or a translation).

This volume provides a new critical text of the Prologue and the first two books of Venantius Fortunatus' Vita Sancti Martini, a work, written in the latter half of the sixth century, which paraphrases in epic verse the famous prose hagiography of St Martin by Sulpicius Severus. This edition offers the first English translation of and the first full commentary on that part of Venantius' poem. Venantius was one of the last writers in a recognisably classical Latin tradition and his Vita affords a fascinating insight into the language and literary culture of his time. It is, however, a deceptively allusive and difficult poem, and the introduction and commentary of this book deal extensively with matters of exegesis, textual criticism, language, metre and much else. It will be valuable for students of the literature and culture of late Latin antiquity, and for those interested in early Christianity and hagiography.

Silius Italicus' Punica, the longest surviving epic in Latin literature, has seen a resurgence of interest among scholars in recent years. A celebration of Rome's triumph over Hannibal and Carthage during the second Punic war, Silius' poem presents a plethora of familiar names to its readers: Fabius Maximus, Claudius Marcellus, Scipio Africanus and, of course, Rome's 'ultimate enemy' - Hannibal. Where most recent scholarship on the Punica has focused its attention of the problematic portrayal of Scipio Africanus as a hero for Rome, this book shifts the focus to Carthage and offers a new reading of Hannibal's place in Silius' epic, and in Rome's literary culture at large. Celebrated and demonised in equal measure, Hannibal became something of an anti-hero for Rome; a man who acquired mythic status, and was condemned by Rome's authors for his supposed greed and cruelty, yet admired for his military acumen. For the first time this book provides a comprehensive overview of this multi-faceted Hannibal as he appears in the Punica and suggests that Silius' portrayal of him can be read as the culmination to Rome's centuries-long engagement with the Carthaginian in its literature. Through detailed consideration of internal focalisation, Silius' Hannibal is revealed to be a man striving to create an eternal legacy, becoming the Hannibal whom a Roman, and a modern reader, would recognise. The works of Polybius, Livy, Virgil, and the post Virgilian epicists all have a bit-part in this book, which aims to show that Silius Italicus' Punica is as much an example of how Rome remembered its past, as it is a text striving to join Rome's epic canon.

The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological theory has moved on. In accordance with these developments, Narratology and Interpretation draws out the subtler possibilities of narratological analysis for the interpretation of ancient texts. The contributions explore the heuristic fruitfulness of various narratological categories and show that, in combination with other approaches such as studies in deixis, performance studies and reader-response theory, narratology can help to elucidate the co.