Aleister Crowley left behind a literary legacy of hundreds of examples of his authorship, in nearly all categories of writing. Collected here is a sampling of those writings. Included are the pieces: The Message of the Master Therion, The Glow Worm, The Stratagem, The Magick Cup, Liber Resh, The Sabbath, The Cry of the 12th Aethyr which is Called LOE, Absinthe: The Green Goddess, Liber Porta Lucis, Apollo Bestows the Violin, The Soul of the Desert, The Opium-Smoker, Baphomet, The Drug, Liber A'ash, The Dangers of Mysticism, The Rosicrucian and The Law of Liberty.

Winner of the Pacific Northwest Booksellers Association Award and the Washington State Book Award in Biography/Memoir Named One of the Best Books by Asian American Writers by Oprah Daily Longlisted for the PEN Open Book Award The Magical Language of Others is a powerful and aching love story in letters, from mother to daughter. After living in America for over a decade, Eun Ji Koh’s parents return to South Korea for work, leaving fifteen-year-old Eun Ji and her brother behind in California. Overnight, Eun Ji finds herself abandoned and adrift in a world made strange by her mother’s absence. Her mother writes letters in Korean over the years seeking forgiveness and love—letters Eun Ji cannot fully understand until she finds them years later hidden in a box. As Eun Ji translates the letters, she looks to history—her grandmother Jun’s years as a lovesick wife in Daejeon, the loss and destruction her grandmother Kumiko witnessed during the Jeju Island Massacre—and to poetry, as well as her own lived experience to answer questions inside all of us. Where do the stories of our mothers and grandmothers end and ours begin? How do we find words—in Korean, Japanese, English, or any language—to articulate the profound ways that distance can shape love? The Magical Language of Others weaves a profound tale of hard-won selfhood and our deep bonds to family, place, and language, introducing—in Eun Ji Koh—a singular, incandescent voice.

This is an illustrated collection of 14 essays on a variety of occult-themed topics, covering the full spectrum of classic esoteric and related subjects, which include hermeticism, alchemy, magic, the Kabbalah, ancient wisdom and philosophy, the Tarot, Rosicrucianism, Freemasonry, Theosophy and spiritualism, by some of the most notable and prominent names in the history of those subjects. Compiled specifically with the student in mind. Part of a series. Writers include Manly P. Hall, Paul Foster Case, Helena P. Blavatsky, Eliphas Levi, William Wynn Westcott, William Q. Judge, Franz Hartmann, Seth Pancoast, Sarah F. Gordon, Albert G. Mackey, J. D. Buck, C. Jinarajadasa, Bernard Fielding and Frank C. Higgins.

Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.

Cultural criticism meets poetry memoir--a contemporary master reflects on a life dedicated to poetry.

In 1923, Achad published an edition of only 220 copies, of a series of hymns or poetic devotions, in a manner slightly reminiscent of Crowley's own emphatic style, aimed at adoring the Egyptian goddess Nuit (the number 220, being intended to align with the number of verses in Crowley's own Book of the Law). Achad titled his own book, Thirty-One Hymns to the Star Goddess. The goddess Nuit features prominently in the first chapter of the Book of the Law, and the many quotations attributed to the Star-Goddess in Achad's small collection have been taken directly from the Book of the Law.