A welcome reissue, revised and updated, of the classic work on the English puppet theatre, this detailed and lavishly illustrated book, first published in 1955, shows why puppet theatre in England developed along different lines from that on the Continent, and brings the story up to the television age. In 1938, at the age of 24, George Speaight left his job as a bookseller and went to work as a farmhand at Pigotts, the family settlement of Eric Gill and his group of artist-craftsworkers in Buckinghamshire. While there, Speaight decided to write a history of Punch and Judy. The project grew, and during the Second World War he spent his nights working in the Auxiliary Fire Service and his days at the British Museum Reading Room researching Punch and puppets. This book is the result of all his research.

Writers, game designers, teachers, and students ~this is the book youve been waiting for! Written by storytellers for storytellers, this volume offers an entirely new approach to word finding. Browse the pages within to see what makes this book different:

In recent years, landscape has become increasingly recognised as a topic of central importance to a wide variety of disciplines. To a large degree this recognition has been based upon an expanding appreciation of the political aspects of landscape, its ideological character and effects. Landscapes and Politics is an innovative cross-disciplinary volume of new writing which brings together, in a strategic and productive encounter, a broad variety of critical work currently being done in this field. With 28 papers and five photo essays. Landscapes and Politics presents material by scholars and practitioners from anthropology, archaeology, architecture, art history, cultural studies, English and American literature, film studies, fine art, geography, history, landscape architecture, philosophy, political science, and religious studies. As an important marker of current methodologies, research and practice across these different disciplinary areas Landscapes and Politics is an invaluable resource. It will be of interest to all those concerned with current discourses and debates on landscape and its representation.

Marie Adrien Persac (1823-1873) was a French-born Louisiana artist who worked in a range of mediums to produce a unique view of the lower Mississippi Valley at midcentury. In the first catalogued exhibition devoted solely to this multifaceted but overlooked talent, paintings, drawings, maps, and photographs from numerous holdings have been brought together to present fresh insights and reevaluate this artist's place in the annals of American history and material culture. Due in part to his broad talents artist, cartographer, architect, civil engineer, photographer, and art teacher Persac's work is of major importance to Southern history researchers and art historians. His paintings of south Louisiana plantation houses have captured that now-varnished lifestyle in minute detail, approximating the exactitude of architectural drafting. Today this series is invaluable to scholars of the period, as is Persac's painting of a steamboat interior -- the only one known to exist -- and another French Opera House, which burned to the ground in 1919.