This book proposes that Coffin Texts spells 154–160, recorded at the beginning of the 2nd millennium BCE, form the oldest composition about the moon in ancient Egypt and, indeed, the world. Based on a new translation, the detailed analysis of these spells reveals that they provide a chronologically ordered account of the phenomena of a lunar month.

THE STORY: Myrtle Bledsoe, a ninety-year-old Texas widow, looks back on the dramatic events that caused a small Southern town, and her own relationships, incredible strife. This almost-monologue by American master Horton Foote is a haunting tale of how men and women, blacks and whites, rich and poor are all entangled in the chaos of life.

Ancient Egyptian coffins provided a shell to protect the deceased both magically and physically. They guaranteed an important requirement for eternal life: an intact body. Not everybody could afford richly decorated wooden coffins. As commodities, coffins also pl ayed a vital role in the daily life of the living and marked their owner's taste and status. Coffin history is an ongoing process and does not end with the ancient burial. The coffins that were discovered and shipped to museums have become part of the National heritages. The Vatican Coffin Project is the first international research project to study the entire use-life of Egyptian coffins from an interdisciplinary perspective.This edited volume presents the first Leiden results of the project focusing on the lavishly decorated coffins of the Priests of Amun that are currently in the collection of the Dutch National Museum of Antiquities. Six chapters, written by international specialists, present the history of the Priests of Amun, the production of their coffins and use-life of the coffins from Ancient Egypt until modern times. The book appeals to the general public interested in Egyptian culture, heritage studies, and restoration research, and will also be a stimulating read for both students and academics

Major new multi-disciplinary collection of papers focusing on the development of the coffin in ancient Egypt and the belief systems behind funerary practices involving their use and on new methods and applications of scientific techniques for the analysis of construction, materials and craftmanship involved in coffin manufacture and reworking.

Text by Rita E. Freed, Lawrence M. Berman, Denise M. Doxey, Nicholas Picardo.

The ancient Egyptian Coffin Texts form a corpus of ritual spells written on the inside of coffins from the Middle Kingdom (c. 2000-1650 BCE). Thus accompanying the deceased in a very concrete sense, the spells are part of a long Egyptian tradition of equipping the dead with ritual texts ensuring the transition from the state of a living human being to that of a deceased ancestor. The texts present a view of death as entailing threats to the function of the body, often conceptualised as bodily fragmentation or dysfunction. In the transformation of the deceased, the restoration of these bodily dysfunctions is of paramount importance, and the texts provide detailed accounts of the ritual empowerment of the body to achieve this goal. Seen from this perspective, the Coffin Texts provide a rich material for studying ancient Egyptian conceptions of the body by providing insights into the underlying structure of the body as a whole and the proper function of individual part of the body as seen by the ancient Egyptians. Drawing on a theoretical framework from cognitive linguistics and phenomenological anthropology, Breathing Flesh presents an analysis of the conceptualisation of the human body and its individual parts in the ancient Egyptian Coffin Texts. From this starting point, more overarching concepts and cultural models are discussed, including the ritual conceptualisation of the acquisition and use of powerful substances such as "magic", and the role of fertility and procreation in ancient Egyptian mortuary conceptions.

This discussion will be centered on one ubiquitous and rather simple Egyptian object type – the wooden container for the human corpse. We will focus on the entire 'lifespan' of the coffin – how they were created, who bought them, how they were used in funerary rituals, where they were placed in a given tomb, and how they might have been used again for another dead person. Using evidence from Deir el Medina, we will move through time from the initial agreement between the craftsman and the seller, to the construction of the object by a carpenter, to the plastering and painting of the coffin by a draftsman, to the sale of the object, to its ritual use in funerary activities, to its deposit in a burial chamber, and, briefly, to its possible reuse.