Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.

The only demographically oriented tale-type index for folktales of the Arab world

Jarmon (English, U. of Tennessee, Martin) studies the history and attempts to trace the origins of several prevalent themes in African American folklore, using folk tale collections from the US and Africa. The themes link subjects with symbolic content, such as tar baby with binding and transcription and the skull with presence and propriety. An introduction presents Jarmon's methodology; her thesis is that these narratives are a type of modal discourse that is symbolized by the motifs of the wishbone and crossroads which she sees as emblematic of the concept of margins and reflective of a mood of indeterminacy. ^^^^ Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

In Stars and Keys: Folktales and Creolization in the Southwest Indian Ocean, Lee Haring introduces readers to the rich folklore traditions of the islands of the southwest Indian Ocean. The culture of Madagascar, Mauritius, Seychelles, Réunion, and the Comoros is a unique blend of traditions that have been brought from Africa, South Asia, Europe, and the Middle East. The folktales from these islands reflect the diversity of this culture and provide a rare opportunity to observe the fluidity of traditions and the process of creolization. Haring presents the tales in a uniquely innovative style: he interrupts the text as if he were reading aloud and directly addresses the reader. His words and those of the storytellers are clearly distinguished, making this folktale collection useful to a wide range of readers and scholars.

A Listening Wind, a collection of translated original texts and commentary edited by Marcia Haag, highlights the large array of Indigenous linguistic and cultural groups of the U.S. Southeast. A whole range of genres and selected texts represent language groups of the Choctaw, Creek, Chickasaw, Yuchi, Cherokee, Koasati, Houma, Catawba, and Atakapa. The traditional and modern Native literature genres showcased in A Listening Wind include stories that speakers perceive to be in the past (or “fixed”), genres that have developed alongside these stories, and modern story types that have sometimes supplanted traditional tales and are now enjoying trajectories of their own. These texts have been selected to demonstrate particular literary themes and the cultural perspectives that inform them. Introductory essays illuminate how they fit into Native American religious and philosophical systems. Overall this collection discloses the sometimes hidden connections among genres as well as their importance to language groups of the Southeast.