'A beautifully written historical novel with characters who linger long after the last page is turned.' - Hazel Gaynor, New York Times bestselling author of The Girl Who Came Home. It's 1828, and Ireland is in turmoil as Irish tenants protest against their upper-class English landlords. Nineteen-year-old Bridget Muldowney is thrilled to return to the estate in Carlow she'll inherit when she comes of age. But since she left for Dublin seven years earlier, the tomboy has become a refined young lady, engaged to be married to a dashing English gentleman. Cormac McGovern, now a stable hand on the estate, has missed his childhood friend. He and Bridget had once been thick as thieves, running wild around the countryside together. When Bridget and Cormac meet again their friendship begins to rekindle, but it's different now that they are adults. Bridget's overbearing mother, determined to enforce the employer-servant boundaries, conspires with Bridget's fiancé to keep the pair apart. With the odds stacked against them, can Bridget and Cormac's childhood attachment blossom into something more?

Reginald Mason is wealthy, refined, and, by all accounts, a gentleman. However, he is not a gentleman by title, a factor that pains him and his father within the Regency society that upholds station over all else. That is, until an opportunity for social advancement arises, namely, Lady Annabelle Ashton. Daughter of the Earl of Havercroft, a neighbor and enemy of the Mason family, Annabelle finds herself disgraced by a scandal, one that has left her brandished as damaged goods. Besmirched by shame, the earl is only too happy to marry Annabelle off to anyone willing to have her. Reginald Mason is wealthy, refined, and, by all accounts, a gentleman. However, he is not a gentleman by title, a factor that pains him and his father within the Regency society that upholds station over all else. That is, until an opportunity for social advancement arises, namely, Lady Annabelle Ashton. Daughter of the Earl of Havercroft, a neighbor and enemy of the Mason family, Annabelle finds herself disgraced by a scandal, one that has left her brandished as damaged goods. Besmirched by shame, the earl is only too happy to marry Annabelle off to anyone willing to have her.

Trapped in a loveless marriage far from home, Bridget does what she can to fill her lonely days. She throws herself into charitable work, but her cherished daughter, Emily, is her only true source of happiness. Meanwhile, Cormac's own life unravels and he finds himself doing unspeakable things just to survive. Neither of them dream they will ever meet again, but fate brings them back together in the most unexpected of ways. Can Bridget rediscover her love for the man Cormac has become? And how will Cormac react when he learns Bridget's secret? A Class Entwined is the second book in Susie Murphy's A Matter of Class series.

EDITORS' CHOICE, HISTORICAL NOVEL SOCIETY 'This series keeps getting better...Once I started reading this book, it was so hard to stop...Such evocative writing.' Elizabeth Bell, author of the Lazare Family Saga His past could destroy their future... Having escaped capture in London, Bridget and Cormac flee to Ireland with their daughter, Emily. Their homecoming is bittersweet as they embark upon the daunting task of searching for Cormac's family who have been missing for over seven years. Their journey takes them back to the familiar surroundings of the Oakleigh Estate in Carlow but their childhood home has become a different place to the one they remember. As they confront the consequences of Bridget's embittered mother's actions, they must also come to terms with an agonising choice between family and duty. And when Cormac's murky past catches up with him, endangering the ones he loves, will the threat be great enough to crush the hopeful future he and Bridget have envisioned together? A Class Forsaken is the third book in Susie Murphy's historical fiction series A Matter of Class. The story continues in the fourth book, A Class Coveted. Praise for A Class Forsaken: 'Fast-paced and full of obstacles and adventure. Highly recommended for fans of historical romance and Irish history.' Editors' Choice, Historical Novel Society (February 2021 issue Historical Novels Review) 'Not only are Murphy's characters well developed, interesting, and genuine, but their love story is epic...These books have been wonderful reads and capture the essence of sweeping saga.' The Lit Bitch, book reviewer 'Susie writes this third instalment to the series with such love for her characters. Her work is so beautifully written, her attention to detail superb...You will love it if you enjoy historical fiction.' Book Reviews for U, book reviewer 'I loved how rich in detail the scenes were...I just flew through the pages...With adventure and drama and romance, this is a series I'll continue to recommend left, right and centre.' Between My Lines, book reviewer 'Susie Murphy's writing is powerful, romantic and absolutely page turning. Once again I was pulled into the story by the powerful storytelling and the carefully crafted and fully rounded characters.' Lisa Reads Books, book reviewer 'Murphy must own a time machine, or else she couldn't possibly do such a good job of sucking a modern-day reader completely back into 1800s Ireland. The story of Bridget and Cormac comes vividly to life in this sweeping tale of romance.' Ashley O'Melia, author and freelance writer 'Susie Murphy is an exceptional writer, with a keen ability for creating memorable characters and sweeping settings...Settle in for your new favorite book series.' Pursuing Stacie, book reviewer What readers are saying: ★★★★★ 'This is a fantastic saga! I am completely hooked!' ★★★★★ 'Wonderful continuation of an epic love story.' ★★★★★ 'I enjoyed every minute of it.' ★★★★★ 'Characters that truly stay with you.' ★★★★★ 'Fabulous book, as gripping as the first two!' ★★★★★ 'If you love romance and historical regency then this series is for you.' ★★★★★ 'I just couldn't put it down.' ★★★★★ 'The continued storyline is a page turner.' ★★★★★ 'Highly recommended for any lover of Irish history and romance novels.' ★★★★★ 'I can't wait for the next book in the series!'

More than a biography, this is a savvy portrait of how Archie Leach, born to a poor working-class family in Bristol, England became Cary Grant, one of Hollywood's most irresistible and admired celebrities of all time.

In the tradition of Sarah Dessen, this powerful debut novel is a compelling portrait of a young girl coping with her mother’s cancer as she figures out how to learn from—and fix—her past mistakes. Few things come as naturally to Harper as epic mistakes. In the past year she was kicked off the swim team, earned a reputation as Carson High’s easiest hook-up, and officially became the black sheep of her family. But her worst mistake was destroying her relationship with her best friend, Declan. Now, after two semesters of silence, Declan is home from boarding school for the summer. Everything about him is different—he’s taller, stronger…more handsome. Harper has changed, too, especially in the wake of her mom’s cancer diagnosis. While Declan wants nothing to do with Harper, he’s still Declan, her Declan, and the only person she wants to talk to about what’s really going on. But he’s also the one person she’s lost the right to seek comfort from. As their mutual friends and shared histories draw them together again, Harper and Declan must decide which parts of their past are still salvageable and which parts they’ll have to let go of once and for all. In this honest and affecting tale of friendship and first love, Emily Martin brings to vivid life the trials and struggles of high school and the ability to learn from past mistakes over the course of one steamy North Carolina summer.

The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.