An articulate and vivid artist, Randolph describes action in key areas of the eastern theater-northern Virginia, Charleston, and Richmond and its surrounds. His record of the Peninsula Campaign, the siege of Charleston, and finally the Bermuda Hundred and Petersburg Campaigns offers a rare look at the role which common soldiers played in master strategies. A former theology student and an unusually thoughful man, Randolph questions the military predation of civilian property and condemns the racial prejudices of his fellow soldiers. In addition to the immediacy of the diary, readers will appreciate the informative commentary and annotations supplied by Civil War historian, Stephen R. Wise.

A well-educated, outspoken member of a politically prominent family in Bowling Green, Kentucky, Josie Underwood (1840–1923) left behind one of the few intimate accounts of the Civil War written by a southern woman sympathetic to the Union. This vivid portrayal of the early years of the war begins several months before the first shots were fired on Fort Sumter in April 1861. “The Philistines are upon us,” twenty-year-old Josie writes in her diary, leaving no question about the alarm she feels when Confederate soldiers occupy her once-peaceful town. Offering a unique perspective on the tensions between the Union and the Confederacy, Josie reveals that Kentucky was a hotbed of political and military action, particularly in her hometown of Bowling Green, known as the Gibraltar of the Confederacy. Located along important rail and water routes that were vital for shipping supplies in and out of the Confederacy, the city linked the upper South’s trade and population centers and was strategically critical to both armies. Capturing the fright and frustration she and her family experienced when Bowling Green served as the Confederate army’s headquarters in the fall of 1861, Josie tells of soldiers who trampled fields, pilfered crops, burned fences, cut down trees, stole food, and invaded homes and businesses. In early 1862, Josie’s outspoken Unionist father, Warner Underwood, was ordered to evacuate the family’s Mount Air estate, which was later destroyed by occupying forces. Wartime hardships also strained relationships among Josie’s family, neighbors, and friends, whose passionate beliefs about Lincoln, slavery, and Kentucky’s secession divided them. Published for the first time, Josie Underwood’s Civil War Diary interweaves firsthand descriptions of the political unrest of the day with detailed accounts of an active social life filled with travel, parties, and suitors. Bringing to life a Unionist, slave-owning young woman who opposed both Lincoln’s policies and Kentucky’s secession, the diary dramatically chronicles the physical and emotional traumas visited on Josie’s family, community, and state during wartime.

This previously unpublished diary is the best-surviving firsthand account of life in Civil War-era Atlanta. Bookseller Samuel Pearce Richards (1824-1910) kept a diary for sixty-seven years. This volume excerpts the diary from October 1860, just before the presidential election of Abraham Lincoln, through August 1865, when the Richards family returned to Atlanta after being forced out by Sherman's troops and spending a period of exile in New York City. The Richardses were among the last Confederate loyalists to leave Atlanta. Sam's recollections of the Union bombardment, the evacuation of the city, the looting of his store, and the influx of Yankee forces are riveting. Sam was a Unionist until 1860, when his sentiments shifted in favor of the Confederacy. However, as he wrote in early 1862, he had "no ambition to acquire military renown and glory." Likewise, Sam chafed at financial setbacks caused by the war and at Confederate policies that seemed to limit his freedom. Such conflicted attitudes come through even as Sam writes about civic celebrations, benefit concerts, and the chaotic optimism of life in a strategically critical rebel stronghold. He also reflects with soberness on hospitals filled with wounded soldiers, the threat of epidemics, inflation, and food shortages. A man of deep faith who liked to attend churches all over town, Sam often commments on Atlanta's religious life and grounds his defense of slavery and secession in the Bible. Sam owned and rented slaves, and his diary is a window into race relations at a time when the end of slavery was no longer unthinkable. Perhaps most important, the diary conveys the tenor of Sam's family life. Both Sam and his wife, Sallie, came from families divided politically and geographically by war. They feared for their children's health and mourned for relatives wounded and killed in battle. The figures in Sam Richards's Civil War Diary emerge as real people; the intimate experience of the Civil War home front is conveyed with great power.

Lucy Wood Butler's diary provides a compelling account of an ordinary woman's struggle to come to terms with realities of war on the Confederate home front. Married at the start of the war, she would become a widow by mid-1863; her account of life in the Confederacy explores her life in Virginia, her mourning period for her deceased husband, and her views on the waning prospect of Confederate victory. Now available in book form for the first time, The Diary of a Civil War Bride brings to light a vital archival resource that reveals the mindset of women in the Civil War South.

The soldiers on both sides of the Civil War were united by a common history, and yet the legacy of this past was ambiguous, upholding both rebellion and union. Union and Confederate men went to war as Americans, convinced they fought an un-American, savage enemy. The war they fought was as emotional and catastrophic as any in history, a violent crucible that forged a new national identity. Civil War Soldiers is a fresh and compelling attempt to fathom the war's significance—then and now—and makes immediate the charged issues and bitter ironies of a nation torn by a conflict over the common ideals of liberty and justice. Drawing on diaries and letters, the focus of this pioneering study is on the men who fought, caught up in a conflict whose causes and consequences seemed as complex and contradictory to the soldiers themselves as they do to us. Reid Mitchell re-creates their experience and discusses the questions one would have most wanted to ask them: Why did you fight? How did you feel about slavery and race? What did you take home from the war? What legacy have you left us? "Fresh insights, startling descriptions, and poignant human detail about the war from the men who fought it."—Chicago Tribune

William Wiley was typical of most soldiers who served in the armies of the North and South during the Civil War. A poorly educated farmer from Peoria, he enlisted in the summer of 1862 in the 77th Illinois Infantry, a unit that participated in most of the major campaigns waged in Mississippi, Louisiana, Texas, and Alabama. Recognizing that the great conflict would be a defining experience in his life, Wiley attempted to maintain a diary during his years of service. Frequent illnesses kept him from the ranks for extended periods of time, and he filled the many gaps in his diary after the war. When viewed as a postwar memoir rather than a period diary, Wiley's narrative assumes great importance as it weaves a fascinating account of the army life of Billy Yank. Rather than focus on the noble and heroic aspects of war, Wiley reveals how basic the lives of most soldiers actually were. He describes at length his experiences with sickness, both on land and at sea, and the monotony of daily military life. He seldom mentions army leaders, evidence of how little private soldiers knew of them or the larger drama in which they played a part. Instead, he writes fondly of his small circle of regimental friends, fills his pages with refreshing anecdotes, records troop movements, details contact with civilians, and describes the appearance of the countryside through which he passed. In the epilogue, Terrence J. Winschel recounts Wiley's complex and often frustrating struggle to obtain his military pension after the war. Wiley was an ingenious misspeller, and his words are transcribed just as he wrote them more than 130 years ago. Through his simple language, we come to know and care for this common man who made a common soldier. His story transcends the barriers of time and distance, and places the reader in the midst of men who experienced both the horror and the tedium of war. Winschel's rich annotation fleshes out Wiley's narrative and provides an enlightening historical perspective. Scholars and buffs alike, especially those fascinated by operations in the lower Mississippi Valley and along the Gulf Coast, will relish Wiley's honest portrait of the ordinary serviceman's Civil War.

All for the Union is the eloquent and moving diary of Elisha Hunt Rhodes, featured throughout Ken Burns' PBS documentary The Civil War. Rhodes enlisted into the Union Army as a private in 1861 and left it four years later as a twenty-three-year-old colonel after fighting hard and honorably in battles from Bull Run to Appomattox. Anyone who heard these diaries excerpted in The Civil War will recognize his accounts of those campaigns, which remain outstanding for their clarity and detail. Most of all, Rhodes's words reveal the motivation of a common Yankee foot soldier, an otherwise ordinary young man who endured the rigors of combat and exhausting marches, short rations, fear, and homesickness for a salary of $13 a month and the satisfaction of giving "all for the union."