"Wm. Theodore de Bary offers a selection of essential readings from his immensely popular anthologies Sources of Chinese Tradition, Sources of Korean Tradition, and Sources of Japanese Tradition so readers can experience a concise but no less comprehensive portrait of the social, intellectual, and religious traditions of East Asia."--

Traditional Japanese Literature features a rich array of works dating from the very beginnings of the Japanese written language through the noted age of aristocratic court life into the period of warrior culture. The anthology contains new translations of such canonical texts as The Tales of the Heike and generous selections from Man'yoshu, The Tale of Genji, The Pillow Book, and Kokinshu. It includes a stunning range of folk literature, war epics, poetry, and n? drama, and an impressive collection of dramatic, poetic, and fictional works from both elite and popular cultures. Also represented are religious and secular anecdotes, literary criticism, essays, and works written in Chinese by Japanese writers. Arranged by chronology and genre, the readings are carefully introduced and placed into a larger political, cultural, and literary context, and the extensive bibliographies offer further study. Intended as a companion to Columbia University Press's Early Modern Japanese Literature: An Anthology, 1600-1900, Traditional Japanese Literature significantly deepens our understanding of Japanese literature as well as of ancient, classical, and medieval Japanese culture.

Rather than looking at the collapse of Japan's first warrior government as the manipulation of rival courts by warrior factions, this study argues that the crucial ideological conflict of the 14th century was between the conservative forces of ritual precedent and the ritual determinists steeped in Shingon Buddhism.

In An “Ise monogatari” Reader, eleven international scholars present cutting-edge research on this canonical literary work, its history, influence, commentary tradition, and early modern publishing history.

Reflecting the Past is the first English-language study to address the role of historiography in medieval Japan, an age at the time widely believed to be one of irreversible decline. Drawing on a decade of research, including work with medieval manuscripts, it analyzes a set of texts—eight Mirrors—that recount the past in an effort to order the world around them. They confront rebellions, civil war, “China,” attempted invasions, and even the fracturing of the court into two lines. To interrogate the significance for medieval writers of narrating such pasts as a Mirror, Erin Brightwell traces a series of innovations across these and related texts that emerge in the face of disorder. In so doing, she uncovers how a dynamic web of evolving concepts of time, place, language use, and cosmological forces was deployed to order the past in an age of unprecedented social movement and upheaval. Despite the Mirrors’ common concerns and commitments, traditional linguistic and disciplinary boundaries have downplayed or obscured their significance for medieval thinkers. Through their treatment here as a multilingual, multi-structured genre, the Mirrors are revealed, however, as the dominant mode for reading and writing the past over almost three centuries of Japanese history.