"Explore the history of the home front in Hampton, Virginia, during the Civil War"--

From its beginning as a Tidewater town in the 1600s, Hampton, Virginia, has weathered many storms, including the disastrous effects of the Civil War and the difficulties of Reconstruction. The city's picturesque harbors have witnessed the rise of a thriving seafood industry, the growth of educational opportunity and the plight of Hampton's African American community. Author Alice Erickson uses her own family, the Hickman family, as a vehicle to unite compelling vignettes of Hampton's most storied era. Discover the intricacies of the Virginia secession, the turmoil of Federal occupation and the revitalization of Hampton out of the ashes of conflict. Follow along Erickson's tragic and adventurous story, whose ending has yet to be written.

Tidewater lies east of the fall line of the Virginia rivers that flow into the Chesapeake--a definition that dates back to colonial times. Much of what we know of seventeenth- and eighteenth-century Tidewater comes from the writings of Captain John Smith, William Byrd II and Thomas Jefferson. The Virginia of Smith, Byrd and Jefferson remains, in part, our Virginia. Geography and place names are largely the same. Their accounts of what they saw, where they traveled, what's in bloom and what's ready for harvest will sound very familiar. Read their words, paired with photographer and author Bryan Hatchett's stunning photographs of Tidewater landscapes and landmarks, and experience the continuity as well as the change that time has brought to this very special place.

This volume narrates the major battles and campaigns of the conflict, conveying the full military experience during the Civil War. The military encounters between Union and Confederate soldiers and between both armies and irregular combatants and true non-combatants structured the four years of war. These encounters were not solely defined by violence, but military encounters gave the war its central architecture. Chapters explore well-known battles, such as Antietam and Gettysburg, as well as military conflict in more abstract places, defined by political qualities (like the border or the West) or physical ones (such as rivers or seas). Chapters also explore the nature of civil-military relations as Union armies occupied parts of the South and garrison troops took up residence in southern cities and towns, showing that the Civil War was not solely a series of battles but a sustained process that drew people together in more ambiguous settings and outcomes.

This book devoted to the medieval uniforms uses the presence of 17 marvelous tables realized by the Italian artist Giovanni Garuti. All realize in 1999 as single Print-tables for the Italian publishing EMI of Ivo Fossati, they are for the first time harvests in volume and you introduce to the public in a new way and form. Every table are equipped by a rich text that well describes the history of the character and illustrates his uniform. There are also present a lot of tables with adding heraldic shields of the various factions and noble families. The thematic of the subjects includes noble Italian families, Crusade order as the Hospitallers and the Teutonic. Noble French, German and English families. all in one historical period that has gone since 1100 to the late XV century.

Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin." In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marullo subtitles About Chekhov "The Unfinished Symphony," because although Bunin did not complete the work before his death in 1953, he nonetheless fashioned his memoir as a moving orchestral work on the writers' existence and art. . . . "Even in its unfinished state, About Chekhov stands not only as a stirring testament of one writer's respect and affection for another, but also as a living memorial to two highly creative artists." Bunin draws on his intimate knowledge of Chekhov to depict the writer at work, in love, and in relation with such writers as Tolstoy and Gorky. Through anecdotes and observations, spirited exchanges and reflections, this memoir draws a unique portrait that plumbs the depths and complexities of two of Russia's greatest writers.

The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.